A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
An epic film that follows the life of Alexander the Great, the macedonian king that united all ancient greek tribes and led them against the vast Persian Empire. Alexander conquered most of... See full summary »
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin ... See full summary »
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
George Stevens' epic production. "My God, My God, why hast thou forsaken Me?" It is towards this climactic crossroads that the story of Jesus of Nazareth leads, and to which, at the final moment, it again looks back in triumphant retrospect. It is the anguishing crossroads where the eternal questions of faith and doubt become resolved. Star-studded cast includes Max Von Sydow (as Jesus), Dorothy McGuire (as Mary), Robert Loggia (as Joseph), Charlton Heston (as John the Baptist), Michael Anderson, Jr., Robert Blake, Jamie Farr, David McCallum, Roddy McDowall, Ina Balin, Janet Margolin, Sidney Poitier, Carroll Baker, Pat Boone, Van Heflin, Sal Mineo, Shelley Winters, Ed Wynn, John Wayne, Telly Savalas, Angela Lansbury, Paul Stewart, Harold J. Stone, Martin Landau, Joseph Schildkraut, Victor Buono, Jose Ferrer, Claude Rains, Donald Pleasence, Richard Conte and Cyril Delevanti. Written by
Director George Stevens originally hired 550 Navajos from a local reservation to be Roman legionnaires, but they couldn't stay on the set for very long and eventually went back home to participate in a tribal election. Stevens replaced them with ROTC cadets. See more »
Differences from the Bible accounts, and other historical inaccuracies, are not being counted as goofs, especially when they're reliant on sectarian traditions or Renaissance/Baroque art. See more »
In the beginning was the word, and the Word was with God, and the Word was God. I am He. He was in the beginning with God. All things were made through Him, and without Him, was made nothing that has been made. In Him was life, and the life was the light of man. And the light shines on in the darkness, and the darkness grasped it not. The greatest story ever told...
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On 9/18/00 I received a letter from George Stevens, Jr., replying to my earlier letter to him encouraging his support of his father's four-hour, "uncut," version of "The Greatest Story Ever Told" preparing for dvd. I had suggested in my letter that the original version was undoubtedly his father's artistic vision and thus was the one worthy of preservation for dvd.
Stevens, Jr. responded, in part, " . . . the dvd of 'The Greatest Story Even Told' is underway and MGM-UA has found the original negative of the four-hour version of the film.
There has been a good deal of confusion about the 'official' version of 'The Greatest Story Ever Told.' In recent years I became satisfied that the 3 hour and 20 minute version was the one that my father considered his picture. That came as a result of conversations with Toni Vellani, who worked with my father and has since passed on, and others.
My father, according to Toni, rushed the film for its first two premieres and immediately, at his own initiative, started trimming it to the 3:15 version. He was pleased with this cut. . . .
There was a later shorter version that my father authorized UA to make in an effort to recoup some money -- and that version which ran under 3 hours is of no value at all.
Frankly, I will be interested to see what the additional 40 minutes represents in the long version because, over the years, I've been familiar with the version that runs approximately 3:15. . . ."
This generous explanation from Mr. Stevens, Jr. certainly reveals the intracacies of the purely artistic process as balanced with the business aspect. It also makes one aware that the assumption that the "cut" version was not the preference or the adequate representation of the director, may be inaccurate. In any event at this point, the four-hour dvd version of "The Greatest Story Ever Told" is most eagerly awaited.
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