6.6/10
6,603
100 user 25 critic

The Greatest Story Ever Told (1965)

The life of Jesus Christ.

Directors:

, (uncredited) | 1 more credit »

Writers:

(book), (source writings) | 2 more credits »
Reviews

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
Nominated for 5 Oscars. Another 1 win & 1 nomination. See more awards »
Learn more

People who liked this also liked... 

King of Kings (1961)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7/10 X  

The life of Jesus Christ.

Director: Nicholas Ray
Stars: Jeffrey Hunter, Siobhan McKenna, Hurd Hatfield
The Robe (1953)
Drama | History
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

In the Roman province of Judea during the 1st century, Roman tribune Marcellus Gallio is ordered to crucify Jesus of Nazareth but is tormented by his guilty conscience afterwards.

Director: Henry Koster
Stars: Richard Burton, Jean Simmons, Victor Mature
Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

Extravagant production of the first part of the book of Genesis. Covers Adam and Eve, Noah and the Flood and Abraham and Isaac.

Director: John Huston
Stars: Michael Parks, Ulla Bergryd, Richard Harris
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The Egyptian Prince, Moses, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people.

Director: Cecil B. DeMille
Stars: Charlton Heston, Yul Brynner, Anne Baxter
Barabbas (1961)
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Barabbas, the criminal that Pontius Pilate induced the populace to vote to set free, so that Christ could be crucified, is haunted by the image of Jesus for the rest of his life.

Director: Richard Fleischer
Stars: Anthony Quinn, Silvana Mangano, Arthur Kennedy
Quo Vadis (1951)
Certificate: Passed Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A fierce Roman commander becomes infatuated with a beautiful Christian hostage and begins questioning the tyrannical leadership of the despot Emperor Nero.

Directors: Mervyn LeRoy, Anthony Mann
Stars: Robert Taylor, Deborah Kerr, Leo Genn
Action | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

In 1st century Rome, Christian slave Demetrius is sent to fight in the gladiatorial arena and Emperor Caligula seeks Jesus' robe for its supposedly magical powers.

Director: Delmer Daves
Stars: Victor Mature, Susan Hayward, Michael Rennie
El Cid (1961)
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

The fabled Spanish hero Rodrigo Diaz (a.k.a. El Cid) overcomes a family vendetta and court intrigue to defend Christian Spain against the Moors.

Director: Anthony Mann
Stars: Charlton Heston, Sophia Loren, Raf Vallone
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

Beginning before the Nativity and extending through the Crucifixion and Ressurection, JESUS OF NAZARETH brings to life all the sweeping drama in the life of Jesus, as told by the Gospels.

Stars: Robert Powell, Olivia Hussey, Laurence Olivier
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
Joanna Dunham ...
...
...
...
...
...
...
...
...
Edit

Storyline

"My God, My God, why hast thou forsaken Me?" It is towards this climactic crossroads that the story of Jesus of Nazareth leads, and to which, at the final moment, it again looks back in triumphant retrospect. It is the anguishing crossroads where the eternal questions of faith and doubt become resolved. Written by alfiehitchie

Plot Summary | Add Synopsis


Certificate:

G | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

Language:

Release Date:

9 April 1965 (UK)  »

Also Known As:

George Stevens Presents The Greatest Story Ever Told  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Gross:

$8,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(edited) | (re-issue) | (premiere)

Sound Mix:

(Westrex Recording System) (5.0) (L-R)

Color:

(Technicolor)

Aspect Ratio:

2.76 : 1
See  »
Edit

Did You Know?

Trivia

George Stevens habitually took at least one whole year over the editing of his films, once he had achieved complete artistic control over them. He usually shot dozens of takes of each scene, varying his camera angles from take to take, so that he would have a great deal of choice in the editing suite. In this case, so much footage was amassed that the film's opening date - originally planned for Christmas of 1964 - had to be postponed because the editing was not completed, even though he had finished shooting in the late summer of 1963. The film opened at Easter of 1965 with a running time of some 225 minutes, making it one of the longest films of all time; it was re-cut several times subsequently, and this version has not been seen since the 1960s. See more »

Goofs

After Jesus brings Lazarus back from the dead, three men run to a castle on a hill to announce the miracles that Jesus has performed. In the long shot, the first man runs up to the castle entrance into the shade. The shade disappears and reappears between shots. See more »

Quotes

[first lines]
Narrator: In the beginning was the word, and the Word was with God, and the Word was God. I am He. He was in the beginning with God. All things were made through Him, and without Him, was made nothing that has been made. In Him was life, and the life was the light of man. And the light shines on in the darkness, and the darkness grasped it not. The greatest story ever told...
See more »

Connections

Referenced in Justice League: The Greatest Story Never Told (2004) See more »

Soundtracks

Requiem
Music by Giuseppe Verdi (as Giuseppi Verdi)
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Biblical Epics
1 November 2003 | by (N Syracuse NY) – See all my reviews

I just got my first DVD payer after holding out for year and have become a total convert. I am watching some of the old classics of my youth, both to see them again in mint condition and to have a look at all the special features, including the documentaries and commentaries. Presently I'm doing a festival of the great biblical epics of the 50's and 60's. My local video store had THE ROBE, (1953), BEN-HUR (1959), CLEOPATRA, (1963) and THE GREATST STORY EVER TOLD, (1965-let's call it TGSET). I thought I'd write a joint review comparing them.

THE ROBE was done at the tail end of the old Hollywood, a studio production whereas these others were all filmed primarily on location with the international casts and crews we often saw making movies in the later era. But THE ROBE has all the Hollywood know-how we've come to expect. Particularly important was the pacing. It's a history lesson and a reverent film but it's also an entertainment. Young Richard Burton, (he was about 28) shows the impressive voice and passionate style that made him a name actor in the next decade, (he was nominated for an Oscar). Jean Simmons is very good and the smaller parts are well cast, particularly Richard Boone as Pontius Pilate, who in once scene leave much more of an impression than Frank Thring or Telly Savalas, who do the same role in BEN-HUR and TGSET, respectively.

But BEN-HUR is clearly the pick of the litter. This is true epic, full of glorious action scenes including the justly famous chariot race. But, as directed by William Wyler, it's also a very thoughtful film. Charlton Heston is excellent as the passionate and idealistic hero. Stephen Boyd is my all-time favorite movie villain. He's the one who should have won the supporting actor Oscar, not Hugh Griffith for his Arab businessman. But it's Wyler who carries the day. Noted primarily as a director of actors, (and especially actresses), he was by this stage in his carrier looking for challenges. He'd never directed an epic before. By bringing to the mix his sense for dialog and characterization, eh give this a depth you can't find in something direct by DeMille, for example, who was more a director of pageants than movies. His use of water as constant symbolism for cleaning the body and spirit is brilliant and memorable.

Joseph Mankiewicz was also known for making more intimate films than CLEOPATRA, (which is not quite biblical but close enough). Like Wyler, he brings to the project something a normal director of epics would not have and CLEOPATRA is a much more intimate film than I remembered. Sure there is the absurdly overdone entrance into Rome and the Battle of Actium. But most of the scenes take place in doors and looked like a filmed record of a stage play. Both Burton and Rex Harrison are excellent in their roles and Liz Taylor is fine, (and fine looking), as well, although I agree with suggestions that Sophia Loren would have been a better choice being more obviously Mediterranean. Like Martin Landau and others interviewed, I would like to see some effort to restore, as best as possible, the two missing hours of this film and its presentation in the two parts Mankiewicz intended, perhaps on one of the movie channels. Even in its present form, the film is better than I remembered.

TGSET may be the greatest story every told but this is surely not the greatest telling of it. The film is long, s..l..o..w and mournful. It's like sitting through a three hour wake. The only scenes where anybody shows any joy are the resurrection scenes of Lazarus and Christ at the end. One scene is accompanied by the disciples singing the same mournful hymn over and over again. I don't think I would want to hang out with these guys for very long. The scenes in THE ROBE where Burton talks to the people who were touched by their relationship with Jesus and in BEN-HUR where he offers the hero water and where he is given it in return, are much more moving that Max Von Sydow's grim sermons in TGSET. We never see the results of living the way eh suggests. And the miracle of resurrections seems an almost pointless substitute. If Jesus's soul has gone to join his father in Heaven, what difference does it make that his grave no longer holds his physical body?

TGSET is filmed not in the Holy Land but in the deserts of Arizona and Utah, (Christ's visit to Utah must have pleased the Mormons.) The place looks totally desolate, such that no one would ever want to live there. Indeed, the area was flooded by a damn project shortly after film was completed. Too bad they weren't doing NOAH'S ARK or the TEN COMMANDMENTS. The actors are totally dwarfed by the surrounding scenery. It makes them and their story look temporary, not everlasting. The eclectic cast with its all-star cameos was considered something of a joke in it's time. At the Last Supper, TV Land viewers can see Illya Kuryakin, Baretta and Klinger! And it's fun to see Ingmar Bergman's knight from `THE SEVENTH SEAL doing scenes with Ed Wynn, Vaudeville's `Perfect Fool'. George Stevens is quoted as saying that someday, people viewing this film will not know who the actors were and will just see the characters. He's right. They all blend in together today. The performances are all very good, except for John Wayne's gargling of `Truly, this man was the Son of God', which, as I recall, produced audible laughter in the theater in 1965 and still seems wildly inappropriate today. I remember feeling that Charlton Heston walked away with the film as John the Baptist and he still does four decades later. The acting isn't the problem with the film. It's the pace and the setting.


16 of 24 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
In the context of this film, why did Judas betray Jesus ? shipagan
So what casting worked and did NOT work? angmc43
John Wayne = hysterical eganp-1
Question for Catholics shandae77
Judas suicide paulbacigalupi
Most academy awards w-godzich
Discuss The Greatest Story Ever Told (1965) on the IMDb message boards »

Contribute to This Page