7.3/10
13,309
153 user 33 critic

The Great Race (1965)

Approved | | Action, Adventure, Comedy | 1 July 1965 (USA)
A grand adventurous race takes place between the heroic Leslie and the despicable Professor Fate across three continents.

Director:

Writers:

(screenplay) (as Arthur Ross), (original story) | 1 more credit »
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Won 1 Oscar. Another 2 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Professor Fate / Crown Prince Frederick Hoepnick
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Maximilian Meen
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Sheriff
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Baron's Guard (as Bill Bryant)
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Storyline

Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie's arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate's own invention. The Blake Edwards style of slapstick and song originated with this movie. A dedication to Laurel and Hardy appears at the beginning of the film. Edwards' tribute to Stan and Ollie can be seen most clearly in the interaction between Professor Fate and his cohort Max, as well as in the operatic Pottsdorf pie fight. Written by Jeanne Baker <jbaker@erim.org>

Plot Summary | Plot Synopsis

Taglines:

The movie with 20,000-mile or one-million-laughs guarantee! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 July 1965 (USA)  »

Also Known As:

Blake Edwards' The Great Race  »

Box Office

Budget:

$12,000,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

(RCA Sound System)| (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jack L. Warner asked Tony Curtis if he would give a percentage of his film royalties to Natalie Wood as an enticement, but Curtis refused. He said, "I couldn't give her anything to make her want to do the movie." Curtis and Wood had worked on two films previously, and had developed an acrimonious relationship. See more »

Goofs

During the scene towards the beginning of the race where Professor Fate and Max put out their engine fire with the foamy fire extinguisher, the car in the background, which in a previous shot lost its wheels, now has the wheels reattached. See more »

Quotes

Professor Fate: What is the word for "friends"?
Maggie DuBois: Professor...
Professor Fate: Shut up!
Max: I don't know the language.
Professor Fate: Well, get the dictionary!
Max: Dictionary. Right.
[Max flips through the pages]
Max: I got it, I got it.
Professor Fate: What is it, what is it?
Max: [frowns] I can't pronounce it.
[...]
See more »

Crazy Credits

The Warner Bros logo, opening credits, intermission and closing credits all appear in the form of a magic lantern slideshow (an early form of cinema), with each credit having a custom slide. See more »

Connections

Edited into Lo schermo a tre punte (1995) See more »

Soundtracks

The Desert Song
(uncredited)
Music by Sigmund Romberg
Lyrics by Otto A. Harbach and Oscar Hammerstein II
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Lemmon's most underrated role
10 March 2003 | by (San Diego CA) – See all my reviews

Now I've read most of the comments on this film and while I might agree with some of the more specific comments regarding the looser and less plausible plot in the last third of the film and that Natalie Wood might have been more of a contribution and less of a distraction, these are moot points. The film is funny, enjoyable and a great tribute to the heyday of silent villains and heroes in a way that doesn't overdo it. Curtis' flashing smile, Wynn's turn-of-the-century mechanic character, the harried and frazzled O'Connell as Goodbody, and especially Falk's on-again, off-again sycophant/lackey/nobody's fool Max are memorable and fun. But as much as I like the main movie, my fave bits are the early scenes in which Professor Fate, always in black and macabre emblems, tries to outdo the stunts of the gleaming white, perfect and popular Great Lesile Gallant III. The stunts are fun, witty and totally unbelieveable. The plane pickup, the rocket train, the garishly painted torpedo with a mawkishly wonderful gramaphone speaker on top are priceless Victorian images of a time that we all imagine existed but never really did. Lemmon is a gem as Fate, right from the great use of his eyes under thick brows and black hat, to the spooky house in his own Munster's décor to the crème de la crème, the Hannibal Twin 8 race car. That car is a masterpiece of mechanical and artistic design. I wonder where it is now. Even the sound it generates in the film, that sinister and harmonious hum are perfect for Fate's élan.

What I've never understood is why I never heard more of Lemmon's comments on this film. It had to be fun to make and work with Curtis, but the role of Fate is so underrated. You never see it mentioned in Biography or any anthologies of Lemmon's work. I still roll in peals of laughter at his dizzy 'Let's see the Great Leslie try THAT one on for size...' as he passes out in the mud. Or when Max breaks off the moustache in the freezing storm, and all you see is Fate's astonished look of shock followed by a sideways glare that could cut glass. The last part of the film, the entire Prince Hapnik and Potsdorf sequences are less than helpful, and they really aren't needed, despite a record pie fight, but it does serve to give Lemmon another role, diametrically different from Fate. Again he uses his eyes and his voice to great effect. `Baron Rolf von SHTUPP!!'(Any relation to Lilly von Shtupp in Blazing Saddles?) With perfect timing. I mean it. Try it some time and you'll never match that unique panache which Lemmon displayed. All in all, a wonderful and fun film. No deep message, just good turn-of-the-century atmosphere, great gags and lively dialogue. Enjoy, and don't take it too seriously. After all, it's not PEARL HARBOR, is it? **** our of **** for me.


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