Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie's arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate's own invention. The Blake Edwards style of slapstick and song originated with this movie. A dedication to Laurel and Hardy appears at the beginning of the film. Edwards' tribute to Stan and Ollie can be seen most clearly in the interaction between Professor Fate and his cohort Max, as well as in the operatic Pottsdorf pie fight. Written by
Jeanne Baker <email@example.com>
In the film's press kit, Natalie Wood divulges that she took fencing lessons, sidesaddle lessons and practiced smoking cigars, but her biggest challenge was driving the Stanley Steamer. The steering was difficult ("like turning a tractor, I suspect", she says) and going into reverse was nearly impossible. See more »
During the pie fight (particularly at the start), the sound of a 35mm still camera's motor drive can be heard. See more »
The closing credits are three simulated 'magic lantern' slides. The first one reads "Our Cast of Characters", and the following two list the main cast. However, Jack Lemmon is only credited as Professor Fate and not for his second role as Crown Prince Hapnik. See more »
Although "It's A Mad, Mad, Mad, Mad World" was the first comedy to get the epic film treatment, "The Great Race" is in my opinion the best epic comedy. It's just a much funnier film with so many laughs in its first half that the more serious part dealing with the palace intrigues and the straight sword fight acts more as a breather for the viewer before it revs up again with the funniest pie fight of all time and the smashing (literally) finale. Jack Lemmon shows why he was probably the most versatile comic actor of the 50-60s next to Peter Sellers (this is a long ways from the Lemmon of "The Apartment" or "Irma La Douce"!). Peter Falk, a decade before "Columbo" is hysterical too, while Natalie Wood never looked more sexy (except for the last part of "Gypsy") than she does here.
They don't make this kind of simple comedy devoid of crudity any longer. That's what makes a film like "The Great Race" something to keep coming back to and enjoying again and again.
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