After a brief review of the problems described in Freewayphobia #1 (1965), we see a new range of problems. These include: abrupt breakdowns due to poor maintenance; unsecured loads; running... See full summary »

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After a brief review of the problems described in Freewayphobia #1 (1965), we see a new range of problems. These include: abrupt breakdowns due to poor maintenance; unsecured loads; running out of gas. We learn how to handle breakdowns properly. We also learn about situations that can affect the driver, like fatigue, alcohol, turnpike trance, and the weather. Written by Jon Reeves <jreeves@imdb.com>

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22 September 1965 (USA)  »

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Freewayphobia #2  »

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Pinto Colvig's last appearance as Goofy See more »

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Disney's Freeway Safety Lesson
13 September 2002 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney GOOFY Cartoon.

GOOFY'S FREEWAY TROUBLES begin the moment he leaves common sense behind and heads out onto the busy motor ways.

This valuable cartoon is full of practical advice on how to maintain safety while driving America's most dangerous roads. Goofy illustrates in the persona of Stupidicus ultimus. Paul Frees supplies the narration.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.


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