Six separate episodes: would-be suicides discuss their despair. A provincial dance hall. An investigative reporter posing as a husband-to-be. A young unwed mother. Girl-watching techniques of Italian men. A glimpse into prostitution.
Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A ... See full summary »
Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his ... See full summary »
Juliet lives in a beautiful house by the ocean. Her sisters, and especially her Mother overshadow her with their beauty. She is a spiritual, superstitious and naive woman. She visits a psychic seer who tells her she must follow the sex trade in order to be happy. Not long after she meets her eccentric and sexy neighbour, Suzy, who, by all counts appears to be a high class prostitute and encourages Juilet into sexual acts which make her guilty and nervous. A rare night when her husband is at home she wakes up to catch him talking to another woman on the phone. He calls out the name "Gabriella" while sleeping, but when she questions him he lies his way out of it. She finds out who Gabriella is and fears her husband will leave her. Juliet begins having visions who accuse and terrorize her. The pinnacle of the visions comes at the end where it is implied she realizes she would be better off without her husband and is ultimately emotionally emancipated. Written by
Jose owns one of the biggest bull farms. Sometimes at night this madman puts on his own bullfight.
What courage! Isn't it dangerous?
No, signora, it's poetry. Poetry is never dangerous. My best friends are toreadors. They compose music, write verse, and abhor blood.
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35mm restoration, brilliant in color and Fellini style.
This is the first Fellini movie I ever saw and I just recently viewed the 35mm restored re-release. How beautiful. Fellini captures such wonderful dream-like sequences in brilliant color. Phenomenal! Every scene had such a distinct personality and mood to it. His blend of high and low key lighting, especially in the exposition carries the storyline. Giulietta's associated score is disturbing yet intriguing. The wardrobe and makeup department must have had lots of fun on this film. If you have yet to see a Fellini movie, I suggest this one. A bit creepy, a bit weird, but nonetheless it has a purpose. A tight narrative.
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