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Juliet of the Spirits (1965)
"Giulietta degli spiriti" (original title)

7.6
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Ratings: 7.6/10 from 7,485 users   Metascore: 81/100
Reviews: 51 user | 38 critic | 9 from Metacritic.com

Visions, memories, and mysticism all help a 40-something woman to find the strength to leave her cheating husband.

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(story), (story), 4 more credits »
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Title: Juliet of the Spirits (1965)

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Nominated for 2 Oscars. Another 11 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Suzy / Iris / Fanny
Mario Pisu ...
Giorgio (Giulietta's husband)
...
Valentina
...
Pijma
José Luis de Vilallonga ...
Giorgio's friend (as José De Villalonga)
Friedrich von Ledebur ...
Medium (as Fredrich Ledebur)
Caterina Boratto ...
Giulietta's mother
Lou Gilbert ...
Grandfather
Luisa Della Noce ...
Adele
Silvana Jachino ...
Dolores
Milena Vukotic ...
Elisabetta - the maid (as Milena Vucotic)
Fred Williams ...
Lynx-Eyes' agent
Dany París ...
Desperate friend
Anne Francine ...
Psychodramatist
Edit

Storyline

Juliet lives in a beautiful house by the ocean. Her sisters, and especially her Mother overshadow her with their beauty. She is a spiritual, superstitious and naive woman. She visits a psychic seer who tells her she must follow the sex trade in order to be happy. Not long after she meets her eccentric and sexy neighbour, Suzy, who, by all counts appears to be a high class prostitute and encourages Juilet into sexual acts which make her guilty and nervous. A rare night when her husband is at home she wakes up to catch him talking to another woman on the phone. He calls out the name "Gabriella" while sleeping, but when she questions him he lies his way out of it. She finds out who Gabriella is and fears her husband will leave her. Juliet begins having visions who accuse and terrorize her. The pinnacle of the visions comes at the end where it is implied she realizes she would be better off without her husband and is ultimately emotionally emancipated. Written by kwedgwood@hotmail.com

Plot Summary | Add Synopsis

Plot Keywords:

vision | memory | eccentric | psychic | sex | See All (66) »

Taglines:

Fellini's Masterpiece !

Genres:

Comedy | Drama | Fantasy

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

3 November 1965 (USA)  »

Also Known As:

Juliet of the Spirits  »

Box Office

Opening Weekend:

$1,524 (USA) (15 June 2001)

Gross:

$78,550 (USA) (3 August 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Federico Fellini's first full-color feature. See more »

Quotes

Giulietta Boldrini: I don't care about the clemency you offer me but the salvation of my soul.
See more »

Connections

Referenced in Annie Hall (1977) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Technicolor Psyche of a Woman at a Loss for Love
15 May 2000 | by (Seattle) – See all my reviews

I was 15 years old when I stumbled into a cinema and caught my first Fellini film -- Juliet of the Spirits. I was so jazzed, wowed and bedazzled by it, I'm sure I went back a few more times. It led me to other Fellini films and, since, he's become my favorite film director.

Though at age 15, I shouldn't have been able to relate very well with this story of an Italian middle-aged woman and her crumbling psyche (what with her failing marriage, her unsympathetic relatives and her repressive childhood), the movie made me care about this woman and showed me sights on film that I'd never seen before.

Masina (Fellini's wife), in her performance, has nearly everything to do with making Juliet's story meaningful, even to a teenaged boy in California. The character's thoughts flash, unspoken, across her face. Her fear, her

bemusement, her insecurities--all are writ in italics and I had no trouble empathizing with Juliet.

Fellini, though, makes the film an occasion to witness how far the medium can go in bringing alive a person's inner life. The weird and awful power of (subjective) memory, the dream state, the spectres of loneliness, betrayal and Catholic mythology: all these and more overtake the screen, dominate the imagery and play the antagonists to Juliet who, as seen by the other "real" characters in the story, is just a simple, loving housewife and neighbor. Juliet finally has to face her demons and either vanquish them or go mad. By the end of the film, we know most of her demons, where they came from, whom they represent and what they mean. What an accomplishment!

In a clinical setting, Fellini dropped LSD around the time he concocted this film. That may be one reason the movie is so psychedelic. This also was his first feature in color. The music is unforgettable. Costumes should have won the Oscar, but that honor went to "Man for all Seasons".

Incidentally, I've bought and viewed the DVD of this movie. It's quite washed-out and not as good as an available VHS letterboxed version.

I'll always miss Fellini, but am so grateful that he was able to make this film and over a dozen others.


28 of 32 people found this review helpful.  Was this review helpful to you?

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