About 850 years ago a man was born to change history in a way like nobody else before or after him. He was the most successful and feared commander of all times, he created to biggest ... See full summary »
After suffering Egyptians from the oppression of the Mamluks and despotism clump the people and organize popular resistance to eliminate them and get rid of the ruling Circassians and the ... See full summary »
A wonderful fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The ... See full summary »
Mostly fictionalized account of the life of Ghenghis Khan, the Mongol warlord whose 13th century armies conquered much of the known world. Named Temujin, he was taken prisoner by the rival warlord Jamuga and as punishment was forced to wear a large round wooden stock that severely restricted his movements. With the help of two supporters, the wise-man Geen and the strongman Sengal he manages to escape. He now begins his quest to unify all of the Mongol tribes. He faces great success but his old nemesis Jemuga keeps appearing at various times in his life leader to a final battle between the two. Written by
Omar Sharif was furious that the $25,000 that Eli Wallach was earning per week was more than Sharif was being paid for the entire film. Wallach had only taken the role after a London play he was scheduled to do collapsed, and he was in need of a quick payday. See more »
The Shah offers Jamuga both his daughters, but in Islam a man cannot marry a woman and her close relative at the same time. Plus a Muslim woman cannot marry a pagan. See more »
This has about as much to do with the real Genghis Khan as the Hughes film"The Conquerer".If you want to know about the real historical figure,read Lamb's 1920s book.That aside,we have to appreciate the production values of the film.Sets,props,etc.,are all ok.None of these people,however,can scarcely be imagined as Central Asians.Greek Savalas and Alabaman Strode come closest.Wallach,as the Shah,makes an acceptable sly villain,and not an unbelievable Levantine.Everybody else is not only much too European,but much too Nordic,as well.(Sharif is only a minor exception to this generalisation.)And Morley,Mason,and Hordern all act as though they wandered in from a road company of "The Mikado".Watch this film for amusement,and perhaps free-wheeling historical fiction(aka Robert E. Howard),but don't take it too seriously.
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