Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility of the fiendish Fu Manchu may not be dead after all, even though Smith witnessed his execution. A ...
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Fu Manchu and his army of henchmen are kidnapping the daughters of prominent scientists and taking them to his remote island headquarters. Instead of asking for ransom, Fu demands that the ... See full summary »
In his remote Asian hideaway the evil Fu Manchu plots the death and discredit of his arch rival, Inspector Nayland Smith of Scotland Yard, as the first step in his plan to become leader of ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ... See full summary »
Three distinguished English gentlemen accidentally resurrect Count Dracula, killing a disciple of his in process. The Count seeks to avenge his dead servant, by making the trio die in the hands of their own children.
Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility of the fiendish Fu Manchu may not be dead after all, even though Smith witnessed his execution. A killer spray made from Tibetan berries seems to be involved and clues keep leading back to the Thames. Written by
Jeremy Perkins <firstname.lastname@example.org>
As a publicity stunt, producer Harry Alan Towers had Christopher Lee tour European countries choosing a national beauty contest winner from each one, the prize being a part in the film. However, despite their decorative appearances in Fu Manchu's cave headquarters, none of these beauties was allowed to utter a line as they were not members of Equity. See more »
Near the end of the movie when Smith and Janssen rescue Prof. Muller and set up the bomb they capture Lin Tang, tie her up and gag her. Lin Tang is seen in the following making a great show of struggling against her bonds and even falling behind the bed, so that the guards did not find her when they looked into the room, so she couldn't alert them. So far the story, but looking at the way Lin Tang was tied up she would have been able to remove the gag every time she wanted to and cry out for help. See more »
In the name of Imperial China, your presence is commanded here to witness an execution.
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The high point of this five-film series unwisely tries to adopt the style of the James Bond films.
Hit and run independent film financier Harry Alan Towers made his bid for the big time in 1965. Spending more money than he ever had (or would) again, scouting attractive international locations, hiring respected craftsmen and actors and launching a multi-million dollar publicity campaign to promote his pet project. "The Face of Fu Manchu", the unlikely recipient of all this attention, represents a plateau to which Towers would never aspire again.
After publicly purchasing the pulp adventure novels of Sax Rohmer, Towers signed horror film icon Christopher Lee to a six-picture deal as the title menace. As director, Towers hired Don Sharp, maker of numerous elegant, effective horror films and probably the most talented director to put his name on a Towers contract. Writing the script himself under his nom de cinema Peter Welbeck, Towers ignored the plots of all the Rohmer novels and concocted his own. The film wisely retains the period setting of early-twentieth century London (which required shooting in Dublin, for the sake of authenticity), but alters the deductive tone of the books in favor of action sequences in the style of the James Bond films, which were then in their first flush of international success.
The finished film is beautiful to see, filmed in technicolor and cinemascope, it truly looks more expensive than it is. Encouraged, Towers launched an expensive international publicity campaign whose most notable stunt was wallpapering election-year New York City with oversized "Fu Manchu For Mayor" posters
In the end, "Face" failed to return enough money to justify the huge outlay spent in making and promoting it. The film seemed to please no one: fans of the series were outraged by the James Bondian gunplay, fights and car chases, while Bond fans were alienated by the period trappings (1920s cars just don't go that fast!). More likely, this type of film just did not have the potential to reach the mainstream audience needed to make it a success.
Although Towers continued the series, the films would steadily decline in quality, from the high point of "Face" to the home-movie calibre of the final entry, "Castle of Fu Manchu".
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