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The Face of Fu Manchu (1965)

6.0
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Ratings: 6.0/10 from 889 users  
Reviews: 20 user | 29 critic

Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility that fiendish Fu Manchu may not after all be dead, even though Smith witnessed his execution. A ... See full summary »

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(characters), (screenplay) (as Peter Welbeck)
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Cast

Cast overview, first billed only:
...
...
Joachim Fuchsberger ...
Carl Jannsen
...
Maria Muller
...
Sir Charles
Howard Marion-Crawford ...
Dr. Petrie (as Howard Marion Crawford)
...
Walter Rilla ...
Prof. Muller
Harry Brogan ...
Prof. Gaskell
...
Lotus (as Poulet Tu)
Archie O'Sullivan ...
Chamberlain
Edwin Richfield ...
Chief Magistrate
Joe Lynch ...
Custodian
Peter Mosbacher ...
Hanumon (as Peter Mossbacher)
...
Grand Lama (as Eric Young)
Edit

Storyline

Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility that fiendish Fu Manchu may not after all be dead, even though Smith witnessed his execution. A killer spray made from Tibetan berries seems to be involved and clues keep leading back to the Thames. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Obey Fu Manchu Or Every Living Thing Will Die!


Certificate:

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Details

Country:

|

Language:

Release Date:

24 October 1965 (USA)  »

Also Known As:

The Mask of Fu Manchu  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (2003)

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

This is the first of the "Fu Manchu" films starring Christopher Lee. See more »

Goofs

Near the end of the movie when Smith and Janssen rescue Prof. Muller and set up the bomb they capture Lin Tang, tie her up and gag her. Lin Tang is seen in the following making a great show of struggling against her bonds and even falling behind the bed, so that the guards did not find her when they looked into the room, so she couldn't alert them. So far the story, but looking at the way Lin Tang was tied up she would have been able to remove the gag every time she wanted to and cry out for help. See more »

Connections

Follows The Sacred Order (1923) See more »

Soundtracks

Radio Revels
(uncredited)
Music by Ivor Slaney
De Wolfe Music Ltd
See more »

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User Reviews

 
The high point of this five-film series unwisely tries to adopt the style of the James Bond films.
22 March 1999 | by (Burlington, NJ) – See all my reviews

Hit and run independent film financier Harry Alan Towers made his bid for the big time in 1965. Spending more money than he ever had (or would) again, scouting attractive international locations, hiring respected craftsmen and actors and launching a multi-million dollar publicity campaign to promote his pet project. "The Face of Fu Manchu", the unlikely recipient of all this attention, represents a plateau to which Towers would never aspire again.

After publicly purchasing the pulp adventure novels of Sax Rohmer, Towers signed horror film icon Christopher Lee to a six-picture deal as the title menace. As director, Towers hired Don Sharp, maker of numerous elegant, effective horror films and probably the most talented director to put his name on a Towers contract. Writing the script himself under his nom de cinema Peter Welbeck, Towers ignored the plots of all the Rohmer novels and concocted his own. The film wisely retains the period setting of early-twentieth century London (which required shooting in Dublin, for the sake of authenticity), but alters the deductive tone of the books in favor of action sequences in the style of the James Bond films, which were then in their first flush of international success.

The finished film is beautiful to see, filmed in technicolor and cinemascope, it truly looks more expensive than it is. Encouraged, Towers launched an expensive international publicity campaign whose most notable stunt was wallpapering election-year New York City with oversized "Fu Manchu For Mayor" posters

In the end, "Face" failed to return enough money to justify the huge outlay spent in making and promoting it. The film seemed to please no one: fans of the series were outraged by the James Bondian gunplay, fights and car chases, while Bond fans were alienated by the period trappings (1920s cars just don't go that fast!). More likely, this type of film just did not have the potential to reach the mainstream audience needed to make it a success.

Although Towers continued the series, the films would steadily decline in quality, from the high point of "Face" to the home-movie calibre of the final entry, "Castle of Fu Manchu".


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