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The Early Bird (1965)

Norman is the assistant helping to run a small, old fashioned dairy which is threatened by a larger, modern organisation. Norman does his best to save the dairy (and his horse) and the ... See full summary »

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(screenplay), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Edward Chapman ...
Jerry Desmonde ...
Mr. Hunter
Paddie O'Neil ...
Gladwys Hoskins
...
Austin
...
Sir Roger Wedgewood
...
Colonel Foster (golf partner)
...
Fire Chief
Penny Morrell ...
Miss Curry
Marjie Lawrence ...
Woman in Negligee
...
Drunken Doctor
Dandy Nichols ...
Woman Flooded by Milk
Harry Locke ...
Commissionaire
Michael Bilton ...
Nervous Man
...
Sir Roger's Secretary
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Storyline

Norman is the assistant helping to run a small, old fashioned dairy which is threatened by a larger, modern organisation. Norman does his best to save the dairy (and his horse) and the usual chaos ensues. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Taglines:

His LATEST and FUNNIEST and FIRST TIME in COLOUR

Genres:

Comedy

Certificate:

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Details

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Release Date:

24 December 1965 (Ireland)  »

Also Known As:

A botellazo limpio  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

First film of Imogen Hassall. See more »

Quotes

Mr. Grimsdale: Besides, we're beaten Pitkin. Consolidated's too big.
Norman Pitkin: Oh. You was at Dunkirk, weren't you Mr Grimsdale? I wonder what would have happened if you'd given up then.
Mr. Grimsdale: You're right Pitkin. We'll fight them, to the last half pint of milk!
See more »

Connections

Referenced in Bostock's Cup (1999) See more »

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User Reviews

 
THE EARLY BIRD (Robert Asher, 1965) **
25 August 2006 | by (Naxxar, Malta) – See all my reviews

Norman Wisdom's first film in color is, alas, one of his lesser vehicles; this time around, he's a milkman with Edward Chapman's modest firm (he is its only employer and even lives with his boss!) which is being run out of business by a big corporation that has, as its manager, the ubiquitous (and, by now, quite aged) Jerry Desmonde. Despite some good moments - an amusing but protracted opening gag involving Norman's elaborate waking methods, the star's Western-style showdown with a competitor, the utilization of his milk-bottles as weapons in a domestic squabble and Norman's demolition of Desmonde's garden - the film bogs down soon enough with a recurrent subplot about Chapman's tentative romance with his chubby middle-aged landlady (which is constantly interrupted by Norman bursting into their room) and the star's sentimental attachment to an old cart-horse (and whom the competition even contrive to poison in order to get them out of the way!). Besides, two extended set-pieces - one with Norman dressed as a priest disrupting Desmonde's golf game with John Le Mesurier, and his stint as a fireman (targeting Desmonde's entire office block) and featuring a young Peter Jeffrey as the fire chief - tend to fall flat on their faces rather than provide the intended hilarity!


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