In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
Count Dracula journeys to a remote Chinese village in the guise of a warlord to support six vampires who are dispirited after the loss of a seventh member of their cult. At the same time, ... See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
In the countryside of England, the Duc de Richleau a.k.a Nicholas welcomes his old friend Rex Van Ryn that has flown to meet him and Simon Aron, who is the son of an old friend of them that... See full summary »
The movie chronicles the events of history's "man of mystery," Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to ... See full summary »
Young workers are dying because of a mysterious epidemic in a little village in Cornwall. Doctor Thompson is helpless and asks professor James Forbes for help. The professor and his ... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Son grows up with father, leaves to go to big city in 1979. Father follows and tries to survive as a vampire in a modern world. Son finds girl, decides not to be a vampire anymore. Great ... See full summary »
Two couples traveling in eastern Europe decide to visit Karlsbad despite dire local warnings. Left outside the village by a coachman terrified at the approach of night, they find themselves in the local castle and are surprised at the hospitality extended by the sinister Klove. It turns out the owner, Count Dracula, dead for ten years, has been hoping for such a visit. Written by
Jeremy Perkins <email@example.com>
Barbara Shelley's own scream, though dubbed by high-pitched Suzan Farmer in the final version, can be distinctly heard in the original German trailer of the film, released under the title "Blut für Dracula". See more »
This story takes place ten years after the end of "Horror Of Dracula". It is supposedly the same castle that all the natives fear, yet the castle looks completely different on the outside as well as the inside. See more »
Although this film holds a nostalgic pull for this particular viewer, (having seen it in its original stateside release at a Drive-In)an honest assessment today compels us to admit that the film is a study of a studio in decline.
True, the film is not without its assets, not the least of which is the veteran cast, with the lovely and always dramatically compelling Barbara Shelley pretty much walking off with the picture. Suzan Farmer, as always, is charming, and very easy on the eyes.
However, Bernard Robinson's art direction, (though adequate) doesn't begin to approach his earlier work, (particulary in "Brides of Dracula," "The Man Who Could Cheat Death," and "The Kiss of the Vampire"--and Robinson's genius is of a type that the work 'adequate' sits uncomfortably upon). Curiously, Mr. Robinson was back at the top of his game months later when he designed the plushy, "Plague of the Zombies."
The cinematography is compromised by grainy film stock, poor color, (as noted by film historian Leslie Halliwell), often rushed lighting, and a cumbersome and unnecessary use of wide screen. Terence Fisher filmographer, Wheeler Dixon, has noted the deficiencies in Michael Reeds's lensing on this project. In any case Mr. Reed nowhere equals the beautiful compositions he had managed on "The Gorgon," all of which makes the absence of Jack Asher particularly evident.
That the aforesaid technical credentials are lacking bears ample testament to the studio's drastic mid 60's cost cutting strategies, and the artistically regrettable, but imminent move away from Bray studios.
Moreover, the commercial objectives are baldly evinced here--the film screams "Formula."
Despite these shortcomings, and since this film was one of the last shot at Bray, it does bear compensatory traces of former glories. Thus we fully appreciate the hapless quartet's posthumous toast to Count Dracula, whilst the armorial flags above them billow in a ghostly breeze and the underscoring throbs unnervingly.
And Miss Shelley, as a vampiress, descending the staircase in a diaphanous gown goes a far way on the asset side of the ledger.
Mr. Lee for his part, does his usual hissing and cape waving. Too much is made of his lack of dialogue here. After all he has only a few lines at the beginning of "Horror of Dracula," and a few lines in this film's successor, "Dracula Has Risen From the Grave." So why on earth people feel the absence of such scanty phrases damages this film, who can say?
This picture would have been far better had it been done five years earlier. That said, it is a masterpiece compared to the dreck the eviscerated Hammer would be foisting on the public just five years later.
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