Three elderly distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of count Dracula's servants. In a nightly ceremony they ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr.... See full summary »
In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant. Only the girl's brother and a... See full summary »
Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity. With him are the skeptical ... See full summary »
Two couples traveling in eastern Europe decide to visit Karlsbad despite dire local warnings. Left outside the village by a coachman terrified at the approach of night, they find themselves in the local castle and are surprised at the hospitality extended by the sinister Klove. It turns out the owner, Count Dracula, dead for ten years, has been hoping for such a visit. Written by
Jeremy Perkins <email@example.com>
In the scene where Dracula is being "resurrected" from a coffin into which his ashes have been spread, from blood dripping down from a poor victim (provided by Klove) Dracula is made to "manifest himself" over a period of about a minute. This was achieved by overlapping "dissolves" of a series of twelve locked-down camera shots, involving first the ashes, then a skeleton, then some body-fat on the skeleton, etc., along with swirling mist, till we finally perceive the full form of Dracula. He doesn't appear fully dressed as is usually the case - the shot moves to outside the coffin and a bare arm reaches out. The vampire's clothes were seen in earlier scenes awaiting his return. See more »
When Dracula opens his shirt for Diana Kent to taste the blood on his chest, he is interrupted and has to leave by kicking open a door. He picks Diana up and takes her to a horse carriage, and in the very next shot, Dracula's shirt is closed, completely buttoned back up. He couldn't have done this while carrying Diana's body. See more »
[after stopping a mob, led by a local priest, from driving a stake into the body of a girl who has died of natural causes. He orders the body be brought to a churchyard]
I will bury her. Now do as I say.
[nobody moves to carry out his instructions]
Do as I say!
You're out of your jurisdiction! I'll complain to the bishop!
Do... and tell him that I stopped you from performing an act of blaphemy!
[indicates the body]
Or would you prefer that I told him?
Well... We have to be sure.
You are an idiot, ...
[...] See more »
The count plays second fiddle to a no nonsense priest.
Christopher Lee first put on his max factor fangs for Hammer productions in 1958. The result was the marvelous technicolor classic "The Horror of Dracula". Despite the film's awesome success it took Hammer eight years to convince Lee to do a sequel. The result was the far less heralded but nearly as good "Dracula-Prince of Darkness".
Taking place ten years after the vampire king's demise at the end the of "Horror", "Prince of Darkness" concerns two British couples traveling through central europe on a sight seeing venture. Ignoring warnings to avoid Castle Dracula the foolhardy band enter the vampire's abode and must battle for their lives against the recently resurrected count. One couple escapes and finds sanctuary at the nearby monastery of the Abbott of Kleinberg.
Enraged, Dracula pursues to reclaim his lost prey. Unfortunately, the master bloodsucker must first contend with the Abbott who knows how to deal with toothsome troublemakers.
Lee is his ghoulishly macho self in the title role. Hammer pinup girls Barbara Shelly and Suzan Farmer are appropriately pretty. Peter Latham is effective as the count's creepy man friday, Klove. But the real star of this outing is Andrew Keir as the Abbott, Father Sandor. Tough, gruff, witty and righteous Sandor is a every bit as worthy an opponent for the count as Van Helsing was in the original.
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