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Daring British WWI fighter pilot James "Biggles" Bigglesworth and 1980s low-level business executive Jim Ferguson discover that they can time travel to each other's eras. They try to stop the Germans from changing the outcome of WWI.
Based on a story from the BBC TV serial "Doctor Who". Scientist Dr. Who accidentally activates his new invention, the Tardis, a time machine disguised as a police telephone box. Dr. Who, his two grand-daughters, and Barbara's boyfriend Ian are transported through time and space to the planet Skaro, where a peaceful race of Thals are under threat of nuclear attack from the planet's other inhabitants: the robotic mutant Daleks. Written by
Alexander Lum <firstname.lastname@example.org>
A number of changes were made to the main characters in the process of transferring "Doctor Who" to the big screen. Most importantly, The Doctor is shown to be a human scientist named Dr. Who. In the TV series, the lead character is an alien time-traveler, specifically a Time Lord from the planet Gallifrey, whose name is never revealed, and who is referred to simply as "The Doctor". See more »
When Susan is escorted to the entrance of the city by two Daleks, the top half of one is very clearly seen to tip backwards for an instant. See more »
I have fond memories of seeing this at the cinema (a treat on a friend's birthday) when it first came out. I was a big Dr Who fan anyway as a 12 year old, and this big screen colour adaptation of the 2nd Dr Who serial and first Dalek story was just what the Doctor ordered.
It never occurred to me, as a 12 year old in 1965, that the Doctor was a mere human and not a Time Lord from Gallifrey, and that was because, at the time, he was a mere human and not a Time Lord from Gallifrey on TV, too. That particular wrinkle wasn't introduced until long after the first couple of Dalek TV series and the two movies.
That said, while the film brings back fond memories, and is particularly good to see in widescreen, it is very much a product of its time, and specifically targetted at its market - youngsters who were mad keen on Daleks. That market is not there any more. The movie shows its age, and doesn't stand up that well to today's demands. For all that, there's still a genuine sense of jeopardy involved, the principals play well, the production values are (for the time and the UK cinema industry) very high, and it remains good, colourful innocent fun.
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