Dr. Goldfoot has invented an army of bikini-clad robots who are programmed to seek out wealthy men and charm them into signing over their assets. Craig Gamble and Todd Armstrong set out to foil the fiendish plot.
Nefarious mad scientist Dr. Goldfoot once again plots to take over the world by creating female robot bombs specifically designed to blow up high-ranking generals of NATO countries. ... See full summary »
The first of the five official American-International "Beach Party" movies. Anthropology Professor Robert Orwell Sutwell and his secretary Marianne are studying the sex habits of teenagers.... See full summary »
On a college ski weekend, Todd and Craig pretend to be Jane and Nora, a pair of English girls. Their reasons? To meet girls, and to learn to ski. Along the way, Lesley Gore shows up on the ... See full summary »
Frankie, on naval-reserve duty in Tahiti, doesn't trust Dee Dee to stay faithful, so he hires Bwana, a witch doctor, to help. Bwana conjures up a floating bikini, "stuffs" it with Cassandra... See full summary »
Dr. Goldfoot plans on taking over the world with his beautiful female robots, who seduce rich and powerful men. Robot #11/Diane is sent after millionaire Todd Armstrong. Secret agent Craig Gamble tries to stop the plot but ends up in the torture chamber with Armstrong. The parody of "The Pit and the Pendulium" is the highlight of the film which also includes bits by Annette Funicello, Harvey Lembeck and Deborah Walley. Written by
This is a Bikini Machine - order your '66 model now! ...manufactured by the evil Dr. Goldfoot with Kiss-Button... Kill-Button and of course the Mystery Button. All new parts (some parts!) tested, approved and ready to go-go-go! See more »
A number of the cast were stars from American-International's "Beach Party" series films. This one was the studio's attempt to take those films into a new area. See more »
During the chase scene at the end, the "cable car" with Dr. Goldfoot and Igor goes off the tracks to continue chasing Craig and Todd over streets and over the Golden Gate Bridge, which have no tracks. San Francisco cable cars run by grabbing a moving cable beneath the street, controlled by the lever you see the drivers of the cars handling. The red "cable car" is obviously a motorized trolley car. See more »
The Producers extend special thanks to the following performers for Guest Appearances: Annette Funicello, Deborah Walley, Harvey Lembeck, Aron Kincaid. Soon to be seen in.... "The Girl In The Glass Bikini" See more »
MASTER PLAN: marry off rich bachelors to female robots and get rich. Of all the films attempting to capture the absurdity and success of the James Bond craze of the sixties, this one is the most ridiculous. This one combines the weird plots of the Bonders with some elements of the stupid beach movies and campy horror of the decade, complete with dungeons and threat of torture (genuinely if mildly amusing). It's an odd mix, to be sure. Then-popular teen idol Avalon, most famous for his beach blanket bingo pics, is an agent (number 00 & 1/2) of S.I.C. (Secret Intelligence Command), based out of my old hometown of San Francisco - nice location long shots and a focus on the winding Lombard street. He's a hapless dope who becomes involved with a femme fatale robot (Hart) accidentally. She's one of several creations originating from the warped brain of Goldfoot (Price), the mad doctor of the title. He's somewhat typical of a Bondian villain wannabe, but Price is best known for his mad scientist roles in typical horror films of that time, so he's kind of a combination of both. Though a mad genius in the comical sense, his goal is nothing more than making some bucks off his robots, so he's actually a futuristic pimp, running a wild & crazy con artist/prostitution ring.
The plot is pretty amusing and Price hams it up shamelessly, mugging for the camera and even indulging in that cliché - the sinister mad chuckle. His assistant, Igor, is a complete idiot, a further parody of the mad scientist's aid from the "Frankenstein" movies, existing solely as an ego-boost for the mad scientist, to make him look even smarter - presumably why Goldfoot 'returned' him to life (see also the Luthor/Otis relationship from the "Superman" movies). How much a viewer likes any of this depends on how much patience one has for all the slapstick stunts and silly overplaying by the actors. Igor is the most extreme example, but everyone else also behaves like an idiot. The one surprise is actress Hart, who, besides being easy on the eye, proves to be quite talented, required to act with several different accents, besides other things. She virtually disappeared from the movie business soon after this, unfortunately. The entire premise of robotic babes, a commentary on male attitudes of that period, was repeated in later similar fare - "Some Girls Do" for example, not to mention the obvious "The Stepford Wives" in the seventies. Also note the use of musical sound FX in one scene from a couple of famous sci-fi pics of the fifties, "War of the Worlds" and "Forbidden Planet." Goldfoot and S.I.C. would return in the Italian "Dr.Goldfoot and the Girl Bombs" the following year. Hero:4 Villain:5 Femme Fatales:7 Henchmen:3 Fights:3 Stunts/Chases:4 Gadgets:5 Auto:4 Locations:6 Pace:5 overall:5
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