In this spoof of Alcoholics Anonymous, pussy cats are cast as bird-eating addicts and go through the 12-step process to deal with their addiction. Sylvester, who could never quite get the ... See full summary »
At the home of Viennese composer Johann Strauss, lived Johann Mouse. Whenever the composer played his waltzes, the mouse would dance to the music, unable to control himself. One day, when ... See full summary »
Starving Mexican mice want access to a cheese factory guarded by Sylvester Cat and send for Speedy Gonzales, the fastest mouse in all Mexico, to breeze past Sylvester and obtain the cheese ... See full summary »
We see the various birds, mice, and bats that have moved into an old windmill, followed by the frogs, crickets, and fireflies making their music in an adjacent pond. Then a storm comes, ... See full summary »
Wile E. Coyote tries and fails to catch the Road Runner using his foot extended to trip, an arrow, a hole in the road, a winged-rocket outfit, two electronically activated machine guns, and... See full summary »
An experimental, Oscar-winning Chuck Jones cartoon
In order to lure a cute dot away from a swingin' squiggle, a very conservative straight line learns to turn himself into exciting polygons and Spirograph designs.
This cartoon unfortunately is more impressive than it is entertaining. The overwrought narration by Norton Juster is read by Robert Morley. This is the first collaboration between Juster and Jones who later worked together on "The Phantom Tollbooth" in 1969.
In some ways, "The Dot and the Line" resembles a prototype for that later film since they are both less than the sums of their parts and are both better described than seen. In both cases, Jones is let down by Juster.
This 1965 effort however is shorter, better, and less cute than their 1969 feature, and has sufficient charm and originality to be well worth your time.
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