The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.
The 89th Academy Awards telecast airs at 8:30 p.m. ET/5:30 p.m. PST, Sunday, Feb. 26, on ABC, hosted by Jimmy Kimmel. Join us for the first IMDb LIVE Viewing Party, a companion show that includes celebrity insight, real-time IMDb data, and more.
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Because of his financial trouble, Don Almeda (Noah Beery) promises his daughter, Maria (Barbara Bedford), to Don Alvarez (Albert Prisco). But Maria does not love Don Alvarez, and, in fact, ... See full summary »
Nat G. Deverich,
Harry K. Fairall
During the Russian Revolution, Yuri Zhivago, is a young doctor who has been raised by his aunt and uncle following his father's suicide. Yuri falls in love with beautiful Lara Guishar, who has been having an affair with her mother's lover, Victor Komarovsky, an unscrupulous businessman. Yuri, however, ends up marrying his cousin, Tonya. But when he and Lara meet again years later, the spark of love reignites. Written by
Although this was a large epic on the scale of David Lean's previous film Lawrence of Arabia (1962), it was not shot in Super Panavision or other large film format. It was shot in standard 35mm Panavision anamorphic. The 70mm prints were blow-ups from the 35mm negative. Lean actually wanted to shoot the film in 70mm, but claimed that MGM refused as it would have been too expensive.
MGM, at the time, was greatly suffering from series of box office flops and a misdirected studio management. During the time in the early 1960s, the studio had just come off its outstanding critical, box office, and Academy Award success with Ben-Hur (1959), which had restored the studio's legacy and financial fortunes, only for a few years. MGM, then, fell into a habit that would eventually sink the studio: an entire year's production schedule relied on the success of one big-budget epic each year. This policy began in 1959, when Ben-Hur was profitable enough to carry the studio through 1960. However, four succeeding big-budget epics-like Ben-Hur, each a remake-failed: Cimarron (1960), King of Kings (1961), The Four Horsemen of the Apocalypse (1962), and, most notoriously, Mutiny on the Bounty (1962). Each of these four films, like Ben-Hur, were filmed in a widescreen 70mm film format. The 70mm film cameras and equipment, reportedly, added much turmoil and expense issues to the production on the four films, particularly that of Mutiny on the Bounty. Under the new and revised leadership of Robert M. Weitman (head of production) and Robert O'Brien (president) in 1963, MGM vowed never again to invest in 70mm filmmaking. See more »
The city railroad scenes were filmed in Spain, and many of the forest railroad scenes were filmed in Finland; in both of those countries, most of the railroad track is broad gauge (the rails are more than 5 feet apart). The plains and mountains railroad scenes were largely shot in Canada, where the rails are "standard gauge": 4' 8 & 1/2" apart. The rails can be seen to jump between far apart and closer together more than once as the movie progresses. See more »
I think you do. There's another kind. Not high-minded, not pure, but alive. Now, that your tastes at this time should incline towards the juvenile is understandable; but for you to marry that boy would be a disaster. Because there's two kinds of women. There are two kinds of women and you, as we well know, are not the first kind. You, my dear, are a slut.
See more »
You really do miss something when you see a formatted version of Doctor Zhivago as I recently did. This is the kind of film that was made literally for the big screen. It's what epic movie making is all about.
I also think that you should see this on the big screen back to back with Warren Beatty's Reds. Two very opposite views of the Russian Revolution, one from the inside and one from the outside. You could have a very interesting discussion on which is which.
The title character, played by Omar Sharif, is Dr. Yuri Zhivago who is both doctor and poet. He was orphaned as a child and raised in the house of Ralph Richardson and Siobhan McKenna. He marries their daughter, Geraldine Chaplin who of course he loves, but naturally like a sister.
The real passion of his life is Julie Christie who is married to a committed Bolshevik in Tom Courtenay. Courtenay is also a guy, with shall we say, some issues. She loves him in her own way though and goes to search for him when he volunteers for the army to subvert it as the Bolshevik plan was when Russia entered World War I.
Christie meets Sharif at the front and the passion ignites. But all around them the society they knew and were brought up in is crumbling about them. Their story set against the background of the Russian Revolution is what Doctor Zhivago is all about.
Zhivago knows change was inevitable, the old order in Russia was ready to be toppled. But he's a poet and not one to let his art be subverted for the sake of the state. Fortunately he's also a doctor and his services are needed, in fact the Bolsheviks rather brutally insist on his accompanying one of their brigades as a medical officer.
I still remember as a lad the acclaim Boris Pasternak's novel got world wide when it was published while being banned in his home land. After winning the Nobel Prize for Literature, Pasternak died shortly thereafter. It's a pity he did not live to see this film, I think he would have approved.
From the deserts of Arabia to the steppes of Russia, David Lean certainly knew how to direct a film that involved vastness. Yet the people of his stories be it Lawrence of Arabia or Doctor Zhivago never get lost in the spectacle. Lean makes you care about the characters that Pasternak created, you get involved in the romance of Sharif and Christie, you want to know if they'll make it in this country undergoing revolutionary convulsions.
Other performances of note are Alec Guinness as Sharif's half brother Yevgeny Zhivago, a committed Bolshevik himself and Rod Steiger as the opportunistic Komorovsky.
Doctor Zhivago won a host of awards in several technical categories, strangely enough it wasn't nominated for Best Picture in 1965 though. It is a classic and even now with the Soviet Union a memory, I doubt if even a Russian made remake of Zhivago could equal what David Lean and his wonderful cast gave us in 1965.
36 of 42 people found this review helpful.
Was this review helpful to you?