The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.
Young and beautiful Lara is loved by three men: a revolutionary, a mogul, and a doctor. Their lives become intertwined with the drama of Russian revolution. Doctor Zhivago is still married ... See full summary »
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Lara inspires lechery in Komarovsky (her mother's lover who is a master at surviving whoever runs Russia) and can't compete with passion for the revolution of the man she marries, Pasha. Her true love is Zhivago who also loves his wife. Lara is the one who inspires poetry. The story is narrated by Zhivago's half brother Yevgraf, who has made his career in the Soviet Army. At the beginning of the film he is about to meet a young woman he believes may be the long lost daughter of Lara and Zhivago. Written by
Dale O'Connor <firstname.lastname@example.org>
During the scenes portraying the protest parade and the subsequent attack of the soldiers, it is supposed to be a bitterly cold night but there are no visible breath clouds from humans or horses which proves that the scenes were filmed in a warm environment. Also, observers on the balcony absently place their hands in "snow" on the railing. See more »
David Lean's "Doctor Zhivago" is a classic film, one that will live on as long as their are films. There are scenes in this movie that will invariably become
indelibly etched in the viewers imagination: The opening funeral march through the vast Siberian landscape, the grandeur of the Czarist Russian palaces, the march of the revolutionaries through the Moscow boulevards, the train ride
straight out of Dante's Inferno, the Ice-covered interior of the Zhivago country estate (a truly magical moment in the film), the wealth of beauty captured in the cinematography of this film is astonishing. Julie Christie's Lara is one of those great screen personas--she becomes a woman of such mysterious beauty. The
final scene of Yuri's desperate attempt to reach her in the crowded Soviet
Moscow is heartbreaking. And that music score! The opening film credits with Jarre's genuinely beautiful music, complete with balalaikas sets the mood for this great, grand entertainment. One of the best ever!
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