Fanatic (1965)

Director:

Silvio Narizzano

Writers:

Anne Blaisdell (novel)
Richard Matheson (writer)

Release Date:

21 March 1965 (UK)

Genre:

Horror | Thriller

Tagline:

She's One Mean Mother-in-Law!

Plot:

A young woman is terrorized by her fiance's demented mother who blames her for her son's death.

Plot Keywords:

Religious Fanatic | Fanatic | England | Death | Insanity

Cast

Tallulah Bankhead	...	Mrs. Trefoile
Stefanie Powers	...	Pat Carroll
Peter Vaughan	...	Harry
Maurice Kaufmann	...	Alan Glentower
Yootha Joyce	...	Anna
Donald Sutherland	...	Joseph
Gwendolyn Watts	...	Gloria
Robert Dorning	...	Ormsby
Philip Gilbert	...	Oscar
Winifred Dennis	...	Shopkeeper
Diana King	...	Woman Shopper

Also Known As:

Die! Die! My Darling! (USA)

Runtime:

Australia:95 min | USA:97 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

UK:15 (DVD rating) | UK:X (original rating) | USA:TV-14 | West Germany:18 | Portugal:M/12 | Australia:M | Finland:(Banned) (1965) | Sweden:15 | USA:Unrated

Filming Locations:

Letchmore Heath, Hertfordshire, England, UK

Company:

Hammer Film Productions

Trivia:

Tallulah Bankhead's final movie.

Goofs:

Continuity: When Patricia is first locked into her room, she tries to open the door, jiggling the handle, and we see a slender gold bracelet on her right wrist. However, the next time she tries the door a few moments later, the bracelet is gone, and we find it is on the left wrist, where it remains.

Quotes:

Alan Glentower: What are you trying to do?
Pat Carroll: I told you, I'm going to visit Mrs. Trefoile. Now if you'll give me the keys to the car, I'll visit her for an hour and be back this evening.
Alan Glentower: But it's too far! You'll have to stay overnight.
Pat Carroll: Alright, I won't even stay with her. I'll get a room in a pub or something. I'll be back tomorrow noon, then.
Alan Glentower: And if I order you not to?
Pat Carroll: [pause] Are you going to give me the keys to the car, or do I take a bus?
Alan Glentower: [He gives her the keys] You can drive?
Pat Carroll: As well as you can!
[She drives off, wildly and shakily]
[...]

Movie Connections:

Referenced in Sugar Cookies (1973)

You gotta admire Tallulah!

Two ways we enjoy movies are 1) to share the emotional life of characters in a great story, regardless of the performer, and 2) to watch a great performer, regardless of the story. "Die! Die My Darling" [or "Fanatic"] falls into the latter category; here, Tallulah Bankhead is the great performer. Bankhead was, it is popularly believed, in the depths of alcohol abuse when she made this classic melodramatic thriller. Yet, she turns-in a terr(or)ific performance. Alcohol abuse may have helped her to slur some lines in that unique drawl of hers, but the well-experienced actress that she is - underneath the numb - shines thru by having clearly planned ahead to alternate her episodes of sweetness and rage, and performs them with well-crafted notes. It's an absolute tour-de-force: That ET-like bourbon voice of hers croaking out commands to her servants; like a witch shrieking "Liar!" to Stefanie Powers (and slapping her silly!); and looking like a backsliding soul at her most pitiful digging in her closet for a secret stash. And my favorite image: force-feeding a sermon to Stefanie Powers at gunpoint (Bankhead holding the Bible *and* a gun in her hands!). The story that sets all this into motion: Bankhead receives a visit from her dead son's one-time fiance, played by Stefanie Powers. Bankhead, a religious fanatic [thus the other title to this movie], presumes her son's betrothal to Powers means that they *are* husband and wife - FOR ETERNITY! Powers plays along, at first, but reveals little truths that counter the religious Bankhead's plans for her son's eternal peace; Bankhead, then, turns determined to "save" her son's Grace by keeping Powers pure. And so it goes from that, with escalating animosity. Bankhead is great. The production design is great (sets and color), and Yootha Joyce as the housemaid Anna is also terrific. Powers, however, grossly overacts; but, to her credit, she lets Yootha Joyce really lay into her with obviously no stunt-doubles between them. That was fun. Oh, there's also a couple homage to PSYCHO: recall that scene in Psycho when Vera Miles screams and flails an arm to set swinging the overhead lamp upon entering the fruit cellar. There's an instance when Powers screams and does the same with an overhead lamp. At that moment, listen to the soundtrack: it shrieks for a measure or two like Psycho's shower scene shrieking violins. Cool. I'll let you find the second "borrowing" from Psycho; it's not as obvious. For some campy fun, definitely rent this'n. Powers is a snitty over-acter, and she'll annoy you, but you'll feel she gets what she deserves when the Ol' Lady smacks the stuffing out of her. Plus, Bankhead simply saying the line "Milk?!" will make it all worthwhile - and that's just at the beginning...!