In the 21st century, aliens (weird, green, lights which sometimes manifest themselves as large clouds of smoke) invade the solar system. Using Mars as their base, they steal all of Earth's ... See full summary »
A writer accepts a bet that he cannot spend the night alone in a haunted castle on All Soul's Eve. Once night falls at the castle, several who had been murdered therein return to life, ... See full summary »
The journalist Alan Foster makes a bet than he can spend one night at the haunted Blackwood Castle. As he learns, the rumors of ghosts at the castle are indeed true. On All Soul's Eve the ... See full summary »
The characters engage in a séance at a mansion while a storm rages outside. During their stay, the film uses an extensive flashback structure to reveal the various criminal acts that each have perpetrated.
Hit-man Clint Harris has one more job to do before he can retire. The corporation which hires him demands that Harris "erase" an ex-employee who has become a snitch for the police. At first... See full summary »
José Luis de Vilallonga
In the 21st century, aliens (weird, green, lights which sometimes manifest themselves as large clouds of smoke) invade the solar system. Using Mars as their base, they steal all of Earth's space stations then brainwash or kill the crews. Next stop: Earth, unless Tony Russel and his crew can stop them. Written by
David (Voards) Lee <email@example.com>
Steadfast, but dreary and second-rate low-budget b-grade sci-fi matinée by Italian director Antonio Margheriti (better known for such films as; "Cannibal Apocalypse" and "Naked You Die"). Anyhow "The War of the Planets" (the second addition to the Gamma One series) is typical fodder, that can't escape its over melodramatic sub-plotting with stodgy dialogues and the direction is limply brought across. Its budget shows with the obviously fashionable miniature sets and models as well as all-out plain and spotty effects (where the aliens are a glowing green mist or light of energy that possesses its victims). Some of the junky space sequences are rather laughable too (like astronauts floating in space, which is clearly by rope). The idea is workable, but the lacklustre execution is less accommodating despite some spaced-out atmospheric visuals and colourful set decors. Textbook performances (with the likes of Tony Russel and Franco Nero) come across shallowly flat, but there seems to be too many characters that at times it got hard to tell which space station / ship the action was focusing on. On the other hand the patchy score remains effectively uncanny. Not entirely awful, but still an utter drag.
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