4.8/10
426
18 user 14 critic

Devils of Darkness (1965)

Approved | | Horror | May 1965 (USA)
A secret vampire cult, which has its headquarters beneath the town cemetery, searches for victims for its human sacrifice rituals.

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(original story and screenplay)
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Cast

Cast overview, first billed only:
...
Paul Baxter
Hubert Noël ...
Count Sinistre (as Hubert Noel)
Carole Gray ...
Tania
...
Karen
Diana Decker ...
Madeleine
...
Anne
Peter Illing ...
Inspector Malin
...
Bouvier
Brian Oulton ...
The Colonel
Walter Brown ...
Bruno
Eddie Byrne ...
Dr. Kelsey
Victor Brooks ...
Inspector Hardwick
Marie Burke ...
Old Gypsy Woman
Marianne Stone ...
The Duchess
Avril Angers ...
Midge
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Storyline

In a sleepy town in Britanny, Armond du Moliere, the Count Sinistre, and his Gypsy bride Tanya, vampires, control everything through a dark, bloody cult. English tourists disturb their cave coffins and must die, but Paul Baxter escapes and takes with him the count' golden bat talisman. To retrieve it and exact revenge, the whole cult follows to England, lusting for blood, a cover-up and new recruits, which also causes jealousy. Written by KGF Vissers

Plot Summary | Add Synopsis

Plot Keywords:

cult | vampire | ritual | jealousy | cave | See All (28) »

Taglines:

What Was This Sinister Evil That Robbed the Dead...And Killed the Living? See more »

Genres:

Horror

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

May 1965 (USA)  »

Also Known As:

Daimones tou skotous  »

Box Office

Budget:

£110,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex) (uncredited)

Color:

(Eastman Colour)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Britain's very first vampire feature set in modern day, instead of the Gothic style popularized by Hammer Films. See more »

Goofs

As two of the characters emerge from the ruins towards the end, one of the allegedly deceased flickers their eyes. See more »

Connections

Featured in Trailer Trauma 2: Drive-In Monsterama (2016) See more »

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User Reviews

 
Excellent color lensing, effective settings make for lively Brit horror.
7 August 2008 | by See all my reviews

Much better than often reported, this beautifully photographed British horror is a well upholstered turn down the familiar vampire path, enlivened by some delicious tongue in cheek. Directed by cult director Lance Comfort, (see Brian MacFarlane's monograph on his career) the film opens with a dazzling dance sequence set amidst a mid forest gypsy encampment, interrupted by the first burst of horror--accompanied by a swooping bat and a gust of wind.

These forest sequences are visually arresting, and include an eerie torch light parade photographed in reflection from a lake's surface.

As for the story, it concerns a modern day male vampire, (equipped with Louis Jourdan accent and beautifully cut suits) who turns out to be reincarnated from the ancient past.

Despite some dull detective sequences, (of the type that slow down Bava's "Blood and Black Lace") the picture manages an effective array of diverse settings including forest sequences, a country manor house, a catacomb lair, a jammed to the rafters antique shoppe, an artists' atelier, the reading room of the British Museum and a groovy bachelorette pad that is host to one of the screen's all time campiest cocktail parties.

Indeed, this sequence, replete with the Watusi, and Frug, and featuring an array of cigarette puffing (with holders!) extras that seem to have been recruited between takes from the sets of "Darling" and "A Taste of Honey", (one keeps looking for Julie Christie to appear) is guaranteed to elicit howls. And if that doesn't catch you, please note that Diana Decker's wardrobe had the female audience cooing at a recent screening.

Moreover, the climax, featuring a cave in which destroys the vampire clan, is well staged and shot.

Picture seems influenced by Don Sharp's superb "Kiss of the Vampire," and while it doesn't hold a candle to that stellar feather in Hammer's cap, it does emerge as an interesting and zesty contemporary take on the same theme.


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