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The 10th Victim (1965)

La decima vittima (original title)
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Some people like violence so much, that they decide to create a club in which human hunts are organized - members being alternately hunters, and prey, until they end up dead.

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Writers:

(story "The Seventh Victim"), (screenplay) | 3 more credits »
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1 nomination. See more awards »

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Sci-Fi

A remake of The 10th Victim.

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Cast

Complete credited cast:
...
Marcello Poletti
...
Caroline Meredith
...
Olga
Salvo Randone ...
Professor
Massimo Serato ...
Lawyer Rossi
Milo Quesada ...
Rudi
Luce Bonifassy ...
Lidia Poletti
George Wang ...
Chinese attacker
Evi Rigano ...
Victim
Walter Williams ...
Martin Tibbett
Richard Armstrong ...
Cole
Antonio Ciani
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Storyline

A campy futuristic tale where people hunt one another for sport. In this film, Victim and Hunter run around Italy trying to score a kill in front of the movie crews they arranged so they could make commercials from the footage. Written by <jnight@lainet.com>

Plot Summary | Add Synopsis

Taglines:

It's the 21st century and they have a licence to kill. See more »

Genres:

Action | Sci-Fi

Certificate:

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Details

Official Sites:

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Language:

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Release Date:

20 December 1965 (USA)  »

Also Known As:

The 10th Victim  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ursula Andress was cast only after Ann-Margret was forced to withdraw due to too many commitments with other studios. See more »

Quotes

Narrator: A study of history confirms the validity of the Big Hunt theory: it is mankind's safety valve. And if in 1940 the Big Hunt had existed, Hitler would've been a member and we could have avoided WWII. Now all is resolved, wars are over, and the violent instincts of man can now be expressed by a single and set competition.
See more »

Connections

Featured in Moonlight and Valentino (1995) See more »

Soundtracks

Spiral Waltz
Written by Piero Piccioni
Lyrics by Sergio Bardotti
Performed by Mina
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Frequently Asked Questions

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User Reviews

 
It's an Italian Sex Farce, really, but it's also a fine sci-fi and pop art fantasy
11 August 2006 | by (United States) – See all my reviews

The more serious you get about this movie, the more you are missing the point. It's an Italian Sex Farce, really, but it's also a fine pop art film, and a fine science-fiction romp that would be a great double feature with Blade Runner. The review "A wonderful example of 60s pop art film-making,Italian-style", by jisenhath from New York, New York USA, really nails the essence of this social-satire sci-fi.

Like the crocodile tears the sun worshippers cry for the setting sun (satire on religion, of course, though it's also close to the excesses of the 60's hippy-dippies doing nature "for real" in 65), the movie is best taken in the vapid, mondo gellato style it revels in.

From the novel by Robert Sheckley (still a great read, too), the "shocking" hunt takes a swipe at the media circus and boredom of excess, while visually reveling in it. The fashion, style and beauty of both Elsa Martinelli and Ursula Andress are a joy, while Marcello works his casual nonchalance and easy timing as the Italian sophisticate at ease with multiple meanings. That's come to pass, hasn't it, as we read from this computer on a network spanning the world. Is this a cult we are a part of? If so, don't cry, but laugh. Like this film does.

Cheesy one review says... no, cheesy is when the film attempts something and does not succeed through taste, budget or in-ineptitude. Opera is not cheesy, but it is ornate, over-the- top and hyper. So is this film. It's space opera in the operatic sense of La Scala.

It's spun gold, and a fine bookend to Marcello's 60's sex romps like Cassanova 70. (done in '65 too, a good year for vintage Marcello). Asti Spumante, anyone?


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