Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
With her infant daughter Margaret Rose in tow, Georgette Thomas pulls up stakes from Tyler, Texas to head to Columbus, Texas to be reunited with her husband, Henry Thomas, who has just been... See full summary »
In 1930s New Orleans, the Cincinnati Kid, a young stud poker player who travels from one big game to the next, stopping along the way up with various girls, is pitted against the legendary champion card-sharp Lancey Howard in a high-stakes poker game. Written by
In some cuts, the film ends with a freeze-frame on Steve McQueen's face following his penny-pitching loss. Turner Classic Movies and the DVD feature the ending with Christian. Norman Jewison wanted to end the film with the freeze-frame but was overruled by the producer. See more »
Throughout the final poker game of the film, Hoyle poker cards with "shell back" are dealt by Shooter and Lady Fingers. When the man flips his jack of diamonds, a close-up of his cards shows a jack and a queen of diamonds in the standard style of Bee or Bicycle decks, even though we have seen a close-up of a Hoyle-style jack of diamonds before and the end credits display the man's final hand with Hoyle-style queen and jack. See more »
You've been the man for a long time...
That is undoubtedly true but don't let that fool you. I'm not ready to retire yet.
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"There's always a kid", says Edward G. Robinson's character, "the man", in this film, and I guess there's always a man as well. In fact, the Cincinatti Kid is just about the least kid-like kid you could imagine, as Steve MacQueen was little more than ten years away from his death-bed when he played the part. I don't know what it is I like about Steve MacQueen: either his acting is very subtle indeed, or it's virtually non-existent, but there's something about his strong, silent, only reluctantly violent heroes that is innately more appealing than, say, the "make my day, punk" attitude of Clint Eastwood. Robinson's suave gambler is also an appealing figure in this movie. There's also some good use of traditional New Orleans jazz (but also some nasty, obvious strings on the soundtrack as well, reminding one of the equally ugly music in director Jewision's 'In the Heat of the Night', made at around the same time).
There are obvious parallels between this film and 'the Hustler', but while more modern, this film is also simpler in construction: there are some side-plots but ultimately, the characterisation (though strong) is static and it all comes down to the cards on the table. Someone wins, someone loses; but that's always the way. This isn't the deepest film you'll ever see, but it remains an immensely watchable one.
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