The Cincinnati Kid (1965) 7.2
An up-and-coming poker player tries to prove himself in a high-stakes match against a long-time master of the game. Director:Norman Jewison |
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The Cincinnati Kid (1965) 7.2
An up-and-coming poker player tries to prove himself in a high-stakes match against a long-time master of the game. Director:Norman Jewison |
|
| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Steve McQueen | ... | ||
| Ann-Margret | ... | ||
| Karl Malden | ... |
Shooter
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| Tuesday Weld | ... | ||
| Edward G. Robinson | ... |
Lancey Howard
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| Joan Blondell | ... |
Lady Fingers
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| Rip Torn | ... |
Slade
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| Jack Weston | ... |
Pig
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| Cab Calloway | ... |
Yeller
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| Jeff Corey | ... |
Hoban
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Theodore Marcuse | ... |
Felix
(as Theo Marcuse)
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Milton Selzer | ... |
Sokal
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| Karl Swenson | ... |
Mr. Rudd
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Émile Genest | ... |
Cajun
(as Emile Genest)
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Ron Soble | ... |
Danny
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In 1930s New Orleans, the Cincinnati Kid, a young stud poker player who travels from one big game to the next, stopping along the way up with various girls, is pitted against the legendary champion card-sharp Lancey Howard in a high-stakes poker game. Written by alfiehitchie
This fine film chronicles a tense, dramatic marathon game of poker between a rising young star and a cagey old pro. Steve McQueen is the cool, detached hot shot and Edward G. Robinson displays nerves of steel, razor sharp instincts and a veteran's poise as the two players probe each other, searching for openings and seeking any advantage, however subtle. Both men are excellent and have good support from a solid cast of veteran actors. Ann-Margret is nice as a siren who just can't sit still when she and the Cincinnati Kid are in the same room. She slinks her way through her interpretation as the sluttish wife of a compromised card dealer who figures prominently in the grand game. The romantic angle between the Cincinnati Kid and his girlfriend doesn't ring true, although Tuesday Weld is pleasing as a vulnerable, love-struck girl. The cinematography shows a grim, gray, seedy side of New Orleans that brings realism to the story. The music has a jazzy score and nice vocals by Ray Charles.