A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Henry Thomas is out on parole in a small Texan town and, in the evenings, he is the lead singer in a band. He is being pressured by his foster mother to give up his singing and go back to ... See full summary »
Buzz Rickson is a dare-devil World War II bomber pilot with a death wish. Failing at everything not involving flying, Rickson lives for the most dangerous missions. His crew lives with this... See full summary »
Shirley Anne Field
In 1930s New Orleans, the Cincinnati Kid, a young stud poker player who travels from one big game to the next, stopping along the way up with various girls, is pitted against the legendary champion card-sharp Lancey Howard in a high-stakes poker game. Written by
When "Shooter" is dealing cards in the 5-card stud game rather than dealing the first card to the player to his left (Howard) it appears that he skips him and deals the first card to the player to his left. This is in fact normal practice for card tables to "rotate deal" so that every player gets a chance to be the first to bet. It is the job of the dealer to keep track of the positions, and that is why it is common to have a "dealer button" that passes to the left. See more »
You call that an argument?
No, that's a fact. The argument's leaning over there against the door jamb.
[Referring to his muscleman]
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This fine film chronicles a tense, dramatic marathon game of poker between a rising young star and a cagey old pro. Steve McQueen is the cool, detached hot shot and Edward G. Robinson displays nerves of steel, razor sharp instincts and a veteran's poise as the two players probe each other, searching for openings and seeking any advantage, however subtle. Both men are excellent and have good support from a solid cast of veteran actors. Ann-Margret is nice as a siren who just can't sit still when she and the Cincinnati Kid are in the same room. She slinks her way through her interpretation as the sluttish wife of a compromised card dealer who figures prominently in the grand game. The romantic angle between the Cincinnati Kid and his girlfriend doesn't ring true, although Tuesday Weld is pleasing as a vulnerable, love-struck girl. The cinematography shows a grim, gray, seedy side of New Orleans that brings realism to the story. The music has a jazzy score and nice vocals by Ray Charles.
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