A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
In 1930s New Orleans, the Cincinnati Kid, a young stud poker player who travels from one big game to the next, stopping along the way up with various girls, is pitted against the legendary champion card-sharp Lancey Howard in a high-stakes poker game. Written by
There had been talk about Cary Grant taking the role of Lancey Howard, although it is unlikely that Grant would have conceded first billing to Steve McQueen. See more »
Strings to the chickens can be seen in the cock fight sequence. See more »
Women are a universal problem in our business. Of course, uh, it's purely an academic question wuth me now, but, looking back, I think it's best not to look for a fixed thing. Just tie into something nice when you're away from the action and let it wear itself out.
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A movie that shows the world of gamblers and card players should be elegant, claustrophobic, decadent, sexy an full of suspense. In 'The Cincinnati Kid' these are mixed in the most delicious way. Set in New Orleans, during the Depression the film tells the story of 'Cincinnati Kid', who wants to be the best card player in the world. He has the opportunity when the best ones get together in New Orleans for a marathon-lenght poker party. It's obvious that the final party would be between The Kid and Lancey Howard (very cool: Edward G. Robinson). It's a fine classic like almost all Steve McQueen-movies. McQueen is the king of cools and the supporting cast is good too. Tuesday Weld is pretty but Ann-Margret is the most seductive chick in town. The cock-fight scene and the final poker party is fantastically photographed and wonderfully edited (by Hal Ashby, who later directed the 'Coming Home'). And the music! Lalo Schifrin is a master and Ray Charles' song is simply fantastic and fits to the set and mood of the movie. The ending is unusual and unpredictable, but in my opinion it's very fair. Norman Jewison must have been liked his actors very much. The only flaw is the women hair-style. But it's an usual thing mostly in the films from the 60s (like 'Doctor Zhivago'). Although it's regarded as a classic, the wide audience don't recognize and respect it - 'You just not ready for me, yet.'
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