Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
In 1930s New Orleans, the Cincinnati Kid, a young stud poker player who travels from one big game to the next, stopping along the way up with various girls, is pitted against the legendary champion card-sharp Lancey Howard in a high-stakes poker game. Written by
Mitzi Gaynor campaigned for the role of "Lady Fingers", but it ended up going to Joan Blondell. Rumors are abound as to why Blondell got the role, with the most common being that Gaynor and Ann-Margret did not quite get along. See more »
In the opening card game of 5 card stud, the pot of money is shown at the dealer's left side of the table, then after a brief shot of The Cincinnati Kid's face, it is shown in the center of the table, barely in view. (at about 4:14) See more »
[Shooter's wife Melba is altering a jigsaw puzzle piece with a nail file]
Melba, why do you do that?
So it'll fit, stupid.
No, I'm not talking about that. What I'm asking is... do you, uh, have to cheat at everything?
Yes. At... solitaire. I've yet to see you play one game of solitaire without cheating.
Look, you're just cheating yourself, don't you understand? You'll be the loser, no one else but yourself!... You've ruined the puzzle, now, that doesn't go in there.
[...] See more »
This fine film chronicles a tense, dramatic marathon game of poker between a rising young star and a cagey old pro. Steve McQueen is the cool, detached hot shot and Edward G. Robinson displays nerves of steel, razor sharp instincts and a veteran's poise as the two players probe each other, searching for openings and seeking any advantage, however subtle. Both men are excellent and have good support from a solid cast of veteran actors. Ann-Margret is nice as a siren who just can't sit still when she and the Cincinnati Kid are in the same room. She slinks her way through her interpretation as the sluttish wife of a compromised card dealer who figures prominently in the grand game. The romantic angle between the Cincinnati Kid and his girlfriend doesn't ring true, although Tuesday Weld is pleasing as a vulnerable, love-struck girl. The cinematography shows a grim, gray, seedy side of New Orleans that brings realism to the story. The music has a jazzy score and nice vocals by Ray Charles.
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