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Chappaqua (1966)

 -  Drama  -  27 March 1967 (Sweden)
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Ratings: 6.5/10 from 376 users  
Reviews: 14 user | 18 critic

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran.



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Title: Chappaqua (1966)

Chappaqua (1966) on IMDb 6.5/10

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Cast overview, first billed only:
Dr. Benoit
Conrad Rooks ...
Russel Harwick
Opium Jones
Sun God
Paula Pritchett ...
Water Woman
Ornette Coleman ...
Peyote Eater
The Guru
Moondog ...
The Prophet
Jill Lator ...
Sacrificed One
John Esam ...
The Connection
Ed Sanders ...
The Fugs
Rita Renoir
Penny Brown
Jacques Seiler


Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Written by Anonymous

Plot Summary | Add Synopsis




Not Rated | See all certifications »

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Release Date:

27 March 1967 (Sweden)  »

Also Known As:

Chappaqua  »

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Technical Specs


Sound Mix:


| (Eastmancolor)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


First film of Hervé Villechaize. See more »


References What Ever Happened to Baby Jane? (1962) See more »

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User Reviews

It's films like this that give the 60s a bad name ...
7 November 1998 | by (Brooklyn, NY) – See all my reviews

Pretentious, self-indulgent swill. The fictionalised autobiography of a poor little rich boy who goes into rehab, occasioning a plotless -- and pointless -- series of increasingly trite hallucinations. In addition to writing and directing (to the extent the film can be considered to have been written or directed at all), Rooks also stars, contributing a stiff, somnambulistic performance that, like some kind of thespic black hole, sucks the life out of every scene in which he appears. Still, to his credit, he WAS able to corral a pretty impressive bunch of collaborators into abetting him in bringing this piffle to the screen (cinematographers robert frank and eugene schufftan, musicians ornette coleman, ravi shankar, the fugs, and philip glass, hipster icons like william burroughs, alan ginsberg, moondog, and so on), which does give it a certain curiosity value. Neverthess, despite some striking photography and music, the film dates very badly, coming off as a shapeless compendium of off-the-rack "avant-garde" cliches, hackneyed visual gimmickry, and ponderously boneheaded navel-gazing by someone too vapidly irreflective and self-absorbed to realise that it's all been done before -- and better.

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