Ellen Gordon, a New York executive's mistress falls for the executive's young business associate when the young man is accidentally sent to use the apartment where the executive and his ... See full summary »
Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the ... See full summary »
After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long suffering and ... See full summary »
In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »
On December 23rd, Korean War veteran George Haverstick and nurse Isabel Crane - who George lovingly refers to as "Little Bit" - get married in a civil ceremony. They met when George was ... See full summary »
Cat(herine) Ballou's family farm is being threatened by the Rail Road. She sends for Kid Shelleen, finding him to be the drunkest gunfighter in the west. When her father is killed by the rail road magnate's gunman, she vowes to fight on. Shelleen manages to ride sideways in several scenes, while minstrels sing the ballad of Cat Ballou in between scenes. Written by
John Vogel <firstname.lastname@example.org>
The opening Columbia logo is followed by the first verse of the "Cat Ballou" song, sung by Nat 'King' Cole and Stubby Kaye, complete with scenes of the town. We then see go to the opening credits. See more »
One of the best modern westerns made that John Wayne wasn't in. Jane Fonda is great as the schoolmarm-turned-outlaw Cat Ballou. When she begins to seek vengeance against the railroad for her father's death, you believe she's really going to get them.
I don't have to say much about Lee Marvin's performance; it's perfect all the way. His dual role, where he plays Kid Shelleen and his evil brother, Tim Strawn, gives him the chance to really stretch his acting talents. When Marvin plays the drunken Shelleen, he's a comic delight. Even his horse looks drunk. When he plays Strawn, the screen sizzles. If you need a reason to see this movie, Lee Marvin should be the reason.
Michael Callan is fine as Jane Fonda's love interest, and Dwayne Hickman steals the scenes he's in as Callan's "uncle"; he's really good in this film. John Marley is pretty funny, also, and Cat's father; his views on the Indian nation are revolutionary, to say the least. Tom Nardini is wonderful as the hired hand who goes along on Cat's quest, none too willingly.
All in all, this is a tour-de-force of acting and writing. Sharp, witty, warm and action-packed, this is a film everyone should see at least once. I've seen it many times, and it's never lost its luster for me.
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