In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
1933: An ocean liner belonging to a second-rate German company is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way it will stop in Cuba to pick up... See full summary »
Eileen is 22 and is smarting from her breakup with Russ. She comes to New York to visit her brother, Adam, who is an airline pilot. Eileen confides to her brother that she thinks she may be... See full summary »
Cat(herine) Ballou's family farm is being threatened by the Rail Road. She sends for Kid Shelleen, finding him to be the drunkest gunfighter in the west. When her father is killed by the rail road magnate's gunman, she vowes to fight on. Shelleen manages to ride sideways in several scenes, while minstrels sing the ballad of Cat Ballou in between scenes. Written by
John Vogel <email@example.com>
According to Jane Fonda, production moved at a brisk pace - "It seemed we'd never do two takes unless the camera broke down. The producers had us working overtime day after day, until one morning Lee Marvin took me aside. 'Jane,' he said, 'we are the stars of this movie. If we let the producers walk all over us, if we don't stand up for ourselves, you know who suffers most? The crew. The guys who don't have the power we do to say, 'Sh*t, no, we're workin' too hard.' You have to get some backbone, girl. Learn to say no when they ask you to keep working.'" See more »
When Cat is in the jail cell, the bars on her cell window appear and disappear between shots. See more »
The opening Columbia logo is followed by the first verse of the "Cat Ballou" song, sung by Nat 'King' Cole and Stubby Kaye, complete with scenes of the town. We then see go to the opening credits. See more »
Tour de force performance by Marvin makes this a hit!
Jane Fonda plays Cat Ballou, back in the days when she was not only acting but also accepting sexy kittenish roles, a rancher's daughter out to avenge the murder of said rancher by the bad guys who run the town. Yep, it's a sex Western, one that gives us the one-of-a-kind performances of Fonda and of Lee Marvin, who has two roles - an alcoholic gunslinger who's supposed to be Cat's saving and a mean, dastardly hit man with a prosthetic nose - and who won himself an Oscar for his delightful work. But it's not just the lighthearted performances of the actors that floats this film, it's also the riveting, uproarious script. The pace is never dull - there are some Westerns that'll slow things down to kind of add mood to a story, but not this one. This would make a nice double-bill with another of Fonda's sexy early roles, "Barbarella."
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