Ellen Gordon, a New York executive's mistress falls for the executive's young business associate when the young man is accidentally sent to use the apartment where the executive and his ... See full summary »
Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the ... See full summary »
In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long suffering and ... See full summary »
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »
A young insecure college sportsman is in trouble. He wants to marry his very straightforward girlfriend, also a student, but has no money. When he is offered a bribe to fix a game, he is torn even more about the matter.
Cat(herine) Ballou's family farm is being threatened by the Rail Road. She sends for Kid Shelleen, finding him to be the drunkest gunfighter in the west. When her father is killed by the rail road magnate's gunman, she vowes to fight on. Shelleen manages to ride sideways in several scenes, while minstrels sing the ballad of Cat Ballou in between scenes. Written by
John Vogel <firstname.lastname@example.org>
When filming the scene where Kid Shelleen takes a bath and dons his costume, director Elliot Silverstein had all actions timed to the beat of a metronome, its pace increasing when Shelleen takes his guns. He planned to have the scene scored with Spanish guitars following this beat, but the producer was adamantly opposed to anything Spanish in a Western. In the end, electric guitars were used. See more »
When Cat is jumping from the train, she jumps onto finely grained gravel and it appears from the sun angle that it is mid afternoon. In the very next shot, when they are dusting themselves off and laughing, the side of the track is large loose gravel and it appears from the sun angle that it is very late afternoon. See more »
I watched Cat Ballou again the other day after a gap of over 35 years. A spoof western, definitely. That Lee Marvin should not have won the Oscar? No way. It is far more difficult to carry off a role in what is obviously a pastiche than to excel in a serious dramatic part. Lee Marvin plays it to perfection. Watch his face in the bar scene in the hole in the wall, desperately trying to catch the moment to propose a toast - "I'll drink to that!". It's brilliant. This film has to be watched in the context of its time. It is no good trying to compare it to today's special effects dominated blockbusters or Pixar animations. The semi-musical format was innovative, and remains so today. Cat Ballou is a perfect example of 60's "cool".
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