Campanadas a medianoche (1965)

Director:

Orson Welles

Writers:

William Shakespeare (plays)
Raphael Holinshed (book)

Release Date:

17 March 1967 (USA)

Genre:

Comedy | Drama | War

Plot:

The career of Shakespeare's Sir John Falstaff as roistering companion to young Prince Hal, circa 1400-1413.

Plot Keywords:

Shakespeare's Henry IV | Historical | Beautiful Woman | Based On Multiple Works | Shakespeare's Henry V

Awards:

Nominated for BAFTA Film Award. Another 3 wins & 1 nomination

Cast

Orson Welles	...	Falstaff
Jeanne Moreau	...	Doll Tearsheet
Margaret Rutherford	...	Mistress Quickly
John Gielgud	...	Henry IV
Marina Vlady	...	Kate Percy
Walter Chiari	...	Mr. Silence
Michael Aldridge	...	Pistol
Julio Peña
Tony Beckley	...	Ned Poins
Andrés Mejuto
Keith Pyott
Jeremy Rowe	...	Prince John
Alan Webb	...	Shallow
Fernando Rey	...	Worcester
Keith Baxter	...	Prince Hal

Also Known As:

Falstaff (France) (Switzerland: German title)
Campanades a mitjanit (Spain: Catalan title)
Chimes at Midnight (UK)

Runtime:

Spain:113 min | Switzerland:119 min | USA:115 min | Argentina:117 min

Country:

France | Spain | Switzerland

Language:

English

Color:

Black and White

Sound Mix:

Mono

Certification:

Argentina:16 | Spain:18 | Sweden:15

Filming Locations:

Barcelona, Cataluña, Spain

Company:

Alpine Films

Trivia:

According to Jeanne Moreau, Orson Welles delayed filming for two weeks due to stage fright.

Goofs:

Revealing mistakes: During Prince Hal's speech immediately following Henry IV's death, a very obvious double for John Geilgud lies slumped on the throne. (Scenes were shot out of sequence, and Gielgud was unavailable for that particular scene)

Movie Connections:

Referenced in The Wages of Sin (2003) (V)

Welles' final masterpiece is worth seeking out

This is one of the great Shakespearean adaptations and a true 'lost classic'. It's also the last masterpiece that Orson Welles directed in his lifetime, and with 'Citizen Kane,' 'Magnificent Ambersons' and 'Touch of Evil' comprises a quartet of major cinematic works that he accomplished.

The film is an inventive re-editing and condensation of Shakespeare's plays, spanning from the end of Richard II to the beginning of Henry V. The film focuses on the character of Jack Falstaff, played by Welles himself in a virtuoso performance. Falstaff's relationship with young Prince Hal (later Henry V) is explored, and uncannily parallels Welles' own experience with the young talents of Hollywood.

Chimes at Midnight can be a jarring experience due to inconsistent film quality, low budget sets and Welles' flair for shock cuts, but it's a truly rewarding experience once you adapt to the style and limitations.

There are several great performances, by John Gielgud as Henry IV, Keith Baxter as Hal and Norman Rodway as Hotspur, who seems like a predecessor to Kenneth Branagh.

Chimes at Midnight has a little of everything: low comedy, highly artistic camera angles, exciting battle scenes (the battle of Shrewesbury scene influenced Braveheart) and a deeply moving story that Welles has 'discovered' between the lines of Shakespeare's histories.