6.1/10
182
11 user 3 critic

Bus Riley's Back in Town (1965)

Approved | | Drama | 3 September 1965 (West Germany)
A young sailor returns home to discover his girl has married an older, wealthy man.

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Writer:

(as Walter Gage)
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Cast

Cast overview, first billed only:
...
Laurel
...
Bus Riley
...
Judy
...
Slocum
...
Mrs. Riley
...
Howie
...
Spencer
...
Gussie
Brett Somers ...
Carlotta
...
Paula
...
Mrs. Nichols
Lisabeth Hush ...
Joy
...
Mrs. Spencer
...
Housewife
Chet Stratton ...
Benii
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Storyline

A young man returns home after a three year tour of duty in the navy only to find things are somewhat different from when he left. His kid sister has grown into a young woman, the job he thought was waiting for him turns out to have some unique conditions, and perhaps most importantly his former sweetheart has married a wealthy and much older man. Disillusioned, he drifts from job to job while trying hard to avoid the advances of his former girlfriend, who is unhappy in her marriage and longs for something extra. While all he wants to do is make something of his life, his will power will be put to the ultimate test. Written by Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>

Plot Summary | Add Synopsis

Taglines:

Her wedding band was the only thing she didn't abandon!

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

3 September 1965 (West Germany)  »

Also Known As:

Amargo retorno  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

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Did You Know?

Trivia

The New York Times reported in its review of the film that writer William Inge requested his name be removed from the credits due to changes made by the films producer to "glorify Ann-Margret." The screenplay was credited to "Walter Gage" in the finished film. In a interview for "Films and Filming," from January 1976, Ann-Margret explained the real story: "You should have seen the film we originally shot. After the alterations were made William Inge had his name taken off of it. His screenplay had been wonderful. So brutally honest. And the woman Laurel, as he wrote her, was mean...and he made that very sad. But the studio at that time didn't want me to have that kind of an image for the young people of America. They thought it was too brutal a portrayal. It had been filmed entirely, using William Inge's script, but a year after it was completed they got another writer in, and another director. They wanted me to re-do five key scenes. And those scenes changed the story. That's when Inge took his name off. There were two of those scenes that I just refused to do. The other three...I did, but I was upset and angry. They'd altered the whole life of the story and made the character I played another person altogether. To put it mildly, they'd softened the blow that Inge had delivered. If only everyone could have seen that film the way he wrote it." See more »

Connections

Referenced in Hollywood Mouth 3 (2017) See more »

Soundtracks

I Want You To Know
Music by Richard Markowitz
Lyrics by Jacques Wilson
Sung by Dobie Gray
See more »

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User Reviews

Shows Kim Darby to be the most underrated actress ever...
5 May 2002 | by (Melbourne) – See all my reviews

This modest but cute film shows Kim Darby (Gussie) to be perhaps the most underrated actress ever. Every eye movement, every facial expression is a treasure. Her performance is simply brilliant. Why didn't she ever get more good roles? She is so natural, so believable, and has that special quality so many formula actors cannot access: the ability to make you remember and feel the real person inside yourself.

Also, Janet Margolin (Judy) gives a subtle and appropriately underplayed performance, at the same time showing her serene natural beauty at its best. What a pity she died so young!

What this film is really about is family; characters like Gussie & Judy. The role that Ann Margret plays is just a foil, and even the cover of the video shows that entirely too much attention has been focussed on her, detracting from the real value of the film.


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