R.P.M. stands for (political) revolutions per minute. Anthony Quinn plays a liberal college professor at a west coast college during the hedy days of campus activism in the late 1960s. ... See full summary »
Kent Taggart's family, with their cattle stampeded, are killed by those who started it. In a fair gunfight, he kills the man's son responsible for it all and when he runs, a warrant is issued and a price put on his head.
A peace-loving man named Ben Kane takes a job as deputy marshal of Lords, in the old West. Kane is no lawman, but he accepts the badge because he has an old score to settle with the town's ... See full summary »
Robert Walker Jr.
A police captain (Aldo Ray) is caught between businesses operating on the Los Angeles Sunset Strip who don't like the punks hanging out, and his belief in allowing the kids their rights. ... See full summary »
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Marco, a young, arrogant art student, is friendly with Timothy, a medical student, and Sarah, his girl friend. Timothy is dominated by his beautiful mother, Carol, who is divorcing her ... See full summary »
A young man returns home after a three year tour of duty in the navy only to find things are somewhat different from when he left. His kid sister has grown into a young woman, the job he thought was waiting for him turns out to have some unique conditions, and perhaps most importantly his former sweetheart has married a wealthy and much older man. Disillusioned, he drifts from job to job while trying hard to avoid the advances of his former girlfriend, who is unhappy in her marriage and longs for something extra. While all he wants to do is make something of his life, his will power will be put to the ultimate test. Written by
Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>
The New York Times reported in its review of the film that writer William Inge requested his name be removed from the credits due to changes made by the films producer to "glorify Ann-Margret." The screenplay was credited to "Walter Gage" in the finished film. In a interview for "Films and Filming," from January 1976, Ann-Margret explained the real story: "You should have seen the film we originally shot. After the alterations were made William Inge had his name taken off of it. His screenplay had been wonderful. So brutally honest. And the woman Laurel, as he wrote her, was mean...and he made that very sad. But the studio at that time didn't want me to have that kind of an image for the young people of America. They thought it was too brutal a portrayal. It had been filmed entirely, using William Inge's script, but a year after it was completed they got another writer in, and another director. They wanted me to re-do five key scenes. And those scenes changed the story. That's when Inge took his name off. There were two of those scenes that I just refused to do. The other three...I did, but I was upset and angry. They'd altered the whole life of the story and made the character I played another person altogether. To put it mildly, they'd softened the blow that Inge had delivered. If only everyone could have seen that film the way he wrote it." See more »
Well told story of returning serviceman's adjustment to civilian life
Bus Riley comes home to find that the girl he loves has married a wealthy, older man. Now he must make a new life for himself. The critics, at the time panned this one, badly. It's a good story and the acting is superb, it is not Parks' fault that he looks so much like James Dean! During the story Riley is given career choices and the choice of right and wrong concerning his former love(played so sexily by Ann Margaret). This is a simple story of how he deals with these choices. Parks' performance hints at brilliance, had he been given better roles in the future.
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