Bunny Lake Is Missing (1965)

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Reviews: 82 user | 59 critic

A woman reports that her young daughter is missing, but there seems to be no evidence that she ever existed.



(screenplay), (screenplay), 2 more credits »
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Nominated for 2 BAFTA Film Awards. Another 1 nomination. See more awards »



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Cast overview, first billed only:
Superintendent Newhouse
Martita Hunt ...
Doll Maker
The Zombies ...
Megs Jenkins ...
Delphi Lawrence ...
1st Mother
Jill Melford ...
Suzanne Neve ...
2nd Mother


Ann Lake has recently settled in England with her daughter, Bunny. When she goes to retrieve her daughter after the girl's first day at school, no one has any record of Bunny having been registered. When even the police can find no trace that the girl ever existed, they wonder if the child was only a fantasy of Ann's. When Ann's brother backs up the police's suspicions, she appears to be a mentally-disturbed individual. Are they right? Written by Alfred Jingle

Plot Summary | Plot Synopsis


No one admitted while the clock is ticking! See more »


Mystery | Thriller


See all certifications »




Release Date:

3 October 1965 (USA)  »

Also Known As:

Bunny Lake Desapareceu  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
See  »

Did You Know?


While being questioned in the pub you can see a television high on the back wall of the bar. The newscaster is just about to describe what Bunny Lake was wearing before she was reported missing when the channel is suddenly switched to a young British group (The Zombies) playing a very catchy song with lyrics that actually relate to the plot of the movie. Much later in the storyline Ann Lake escapes her hospital room through a basement level maintenance room where she runs past an old janitor sitting at a workbench listening to a transistor radio and the same exact catchy song is being broadcast again. See more »


The police are seen leading two dogs around the garden and letting them sniff and search but as the mother does not have anything belonging to the child for them to sniff, what scent are they following? See more »


[first lines]
Steven: She may be a few minutes late. Will you please wait for her?
Mover: Yes sir.
Mover: Thank you.
See more »

Crazy Credits

The end credits begin with a cut out of Bunny's doll, before a hand replaces the cut out with black paper, and the credits begin to roll. See more »


Featured in Preminger: Anatomy of a Filmmaker (1991) See more »


Here We Go Round The Mulberry Bush
Sung by Carol Lynley, Keir Dullea and Suky Appleby
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Haunted Art
2 November 2005 | by (Oakland, CA, USA) – See all my reviews

I saw "Bunny Lake Is Missing" for the second time last night at San Francisco's Castro Theatre. The first time was also at the Castro twelve years ago during an Otto Preminger festival. Preminger made a number of better films – "Laura" and "Anatomy of a Murder" come to mind – but I have a special fondness for "Bunny Lake" even though at times it drags and is overly talky.

Among the merits of casting Carol Lynley and Keir Dullea, it can be successfully argued that they look like siblings – often not the case in films – which works very well for this film, as does their ethereal out-of-body quality.

Criticism has been made that the role of Ann Lake was written one dimensionally and therefore offered Lynley little to do but weep and whine; but this may have been Preminger's intention to support that part of the plot that suggests Ann may not have a daughter and that Ann herself may be more than a bit unbalanced.

Dullea is an unusual looking actor who can photograph good looking or simply strange. Preminger used this well early in the film, although he seemed to lose subtlety as the narrative headed towards its denouement.

The film's superior black-and-white widescreen photography is one of its strengths. London locations and interiors are effective and impressive. I especially liked the doll hospital cellar sequence with Lynley holding an oil lamp as she moves about, the high angle shot of the backyard the begins the final sequence, and several sequences when characters pass quickly from one room to another.

The sexual subtext is not as hidden as it would have been in the 50s, but subtler, say, than after 1970; its ambiguity adds to the film's texture without getting in the way.

In fact, 1965 seems a perfect time for this film to have appeared since the cinematic fulcrum was still well placed to balance a filmmaker from older Hollywood who also enjoyed pushing the envelope. A little bit later, color photography would have been mandatory, and the characterizations would have moved into a much more bizarre, psychedelic arena.

Perhaps because of how its strengths and weaknesses combine, the film has a seductive, haunting integrity for me. As the film began with the Saul Bass titles and Paul Glass's score, I felt a pleasurable sensation of awe which I used to feel more often when seeing a movie, and which reoccurred a number of times in "Bunny Lake".

Try to see this film on a large theater screen to experience the full power of the black-and-white widescreen cinematography. Otherwise, view the letterbox DVD on a screen large enough to allow you to see details. There is much to enjoy in "Bunny Lake Is Missing", so don't miss out.

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