A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her with to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV ... See full summary »
Ann Lake has recently settled in England with her daughter, Bunny. When she goes to retrieve her daughter after the girl's first day at school, no one has any record of Bunny having been registered. When even the police can find no trace that the girl ever existed, they wonder if the child was only a fantasy of Ann's. When Ann's brother backs up the police's suspicions, she appears to be a mentally-disturbed individual. Are they right? Written by
Steven uses the fuel from the oil lamp to light the doll's hair on fire; but he should have burnt his hand when pulling off what should have been a very hot glass chimney from the top of the lamp. See more »
She may be a few minutes late. Will you please wait for her?
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The names in the opening credits are revealed by a hand tearing away parts of the black background as if it were paper, revealing the names printed beneath on a white background. See more »
More surprising than the outcome is how well Carol Lynley holds her own against Laurence Olivier!
Carol Lynley does some fabulous work here as American woman newly arrived in England whose little daughter is apparently kidnapped from school on her first day. The catch is, nobody knows the child and Lynley is having trouble proving she even exists! Terrific mystery from director Otto Preminger, an uneven filmmaker who does strong work just up to the finale (which is somewhat anti-climactic). Laurence Olivier is the police inspector on the case and he's very smooth, cunning and yet sympathetic to Lynley. There are some mod overtures which seem misplaced, and Noël Coward has a gratuitous bit as Carol's drunken landlord (and BBC celebrity!), yet the film does have many sharp bits of minute detail, intriguing and funny supporting characters, terrific cinematography and locations. Does it all add up? No, but it's inscrutable fun nevertheless. *** from ****
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