The man called Obam struggles with the increasingly hostile forces facing each other in a colonial African country. The African natives want their land and lives back from the British ... See full summary »
A white family has had the same black maid for many years. When she tells them she wants to go back to school and will be leaving soon, the 20ish year old son decides what she needs is a ... See full summary »
Richard Widmark plays a hardened cold-warrior and captain of the American destroyer USS Bedford. Sidney Poitier is a reporter given permission to interview the captain during a routine patrol. Poitier gets more than he bargained for when the Bedford discovers a Soviet sub in the depths and the captain begins a relentless pursuit, pushing his crew to the breaking point. This one's grim tension to the end. Written by
KC Hunt <email@example.com>
As the actions of the Captain become more obsessive, Munceford tells him "You're not chasing whales now!" This is a reference to Captain Ahab, the single-minded whaling captain in "Moby Dick" by Herman Melville, whose obsession leads to the destruction of his crew, and on whom the character of Captain Finlander was ultimately based. See more »
As the movie opens the ship is the British destroyer HMS Wakeful (hull number F-159) but after the doctor and journalist are delivered, the vessel (as a model) becomes the US Navy's DLG-113, a fictional vessel apparently intended to represent a Farragut-class destroyer. Interiors are obviously a Royal Navy ship. See more »
I saw this film when it was released in the mid 1960s, again on VHS over the years and finally on satelite television. It holds up very well. The theme of obsession in the line of duty is as relevant today as it was when Melville wrote "Moby Dick". The acting is excellent. Hats off to Eric Portman as the West German Navy commodore advisor in submarine warfare. He sort of reprises his roles in the "49th Parallel" and "We Dive at Dawn". He is one Englishman who portrays a great German. Martin Balsam does his usual excellent work as the under appreciated ship's doctor. This also contains yet another of Sydney Poitier's race neutral rolls. Very revolutionary for the mid 1960s ("Lillies of the Field" being another).
The ship model and iceberg scenes seem a bit dated in this digital graphics era but I shudder with cold every time I there is an exterior scene. I sailed in Greenland waters once and I know what is feels like on that grey ocean under that grey sky.
Clearly, this is British production. One interior shot of the ship shows a rack of Enfield rifles, already obsolete by the time this film was made. Not a problem really.
The suspense and tesnion hold up well after several viewings and the inevitable ending is, well, inevitable.
If you did not grow up during the Cold War this film will have less impact than living with the bomb ("The bomb, Alexi, the Hydrogen bomb..." oh, that was another cold war film).
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