La battaglia di Algeri
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The Battle of Algiers (1966) More at IMDbPro »La battaglia di Algeri (original title)

2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2006

5 items from 2015

Considering 'Burn!' - The Most Radical and Revolutionary Film Ever Made by Hollywood

10 November 2015 8:45 AM, PST | ShadowAndAct | See recent ShadowAndAct news »

People always ask me what my all time favorite film is. That’s a question with an impossible answer. I can’t name just one. But, stuck for an answer, I always tell them it’s the 1966 film "The Battle of Algiers" by Italian director Gillo Pontecorvo.. The film (which is available in a deluxe 3 blu-ray DVD set from Criterion) is a searing and exciting docudrama which deals with the beginnings of the Algerian Resistance movement in the late 50′s to throw French colonialists out of the country and gain independence. I don’t have enough words to tell you about that film. It’s perfect as far as I’m concerned, and I urge all readers out there to check it out. But this piece »

- Sergio

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Je t’aime, je t’aime

2 November 2015 5:08 PM, PST | Trailers from Hell | See recent Trailers from Hell news »

Yet another European art film director tries his hand at cerebral Sci-fi. Alain Resnais' openly experimental movie uses a generic time travel framework to, what else, explore the phenomenon of memory. Suicidal melancholic Claude Rich is projected back exactly one year, for exactly one minute. What could go wrong? Je t'aime, je t'aime Blu-ray Kino Classics 1968 / Color /1:66 widescreen / 94 min. / Street Date November 10, 2015 / available through Kino Lorber / 29.95 Starring Claude Rich, Olga Georges-Picot, Anouk Ferjac. Cinematography Jean Boffety Film Editors Albert Jurgenson, Colette Leloup Original Music Krzysztof Penderecki Written by Jacques Sternberg, Alain Resnais Produced by Mag Bodard Directed by Alain Resnais

Reviewed by Glenn Erickson

My very first UCLA film class in the Fall of 1970 dispatched us to the Vagabond Theater to see a double bill of two 'art' movies that play fast and loose with narrative conventions: Luis Buñuel's Ensayo de un Crimen and Alain Resnais' Je t'aime, »

- Glenn Erickson

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Criterion announces its May Blu-ray line-up

18 February 2015 7:00 PM, PST | Flickeringmyth | See recent Flickeringmyth news »

Criterion has announced six new Blu-ray releases as part of its May line-up of the digitally remastered Criterion Collection. Two of the most notable releases are Charlie Chaplin’s Limelight and Bette Midler-starrer The Rose, which are scheduled for release on May 19th.

The full line-up, with technical specifications and artworks, are listed below:

The Rose

Bette Midler exploded onto the screen with her take-no-prisoners performance in this quintessential film about fame and addiction from director Mark Rydell. Midler is the rock-and-roll singer Mary Rose Foster (known as the Rose to her legions of fans), whose romantic relationships and mental health are continuously imperiled by the demands of life on the road. Incisively scripted by Bo Goldman and beautifully shot by Vilmos Zsigmond (with assistance on the dazzling concert scenes by a host of other world-class cinematographers, including Conrad L. Hall, László Kovács, Owen Roizman, and Haskell Wexler), this »

- Scott J. Davis

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Beyond Narrative: The Future of the Feature Film

12 February 2015 12:01 PM, PST | | See recent Roger Ebert's Blog news »

Editor's Note: is proud to reprint Roger Ebert's 1978 entry from the Encyclopedia Britannica publication "The Great Ideas Today," part of "The Great Books of the Western World." Reprinted with permission from The Great Ideas Today ©1978 Encyclopædia Britannica, Inc.

It's a measure of how completely the Internet has transformed communication that I need to explain, for the benefit of some younger readers, what encyclopedias were: bound editions summing up all available knowledge, delivered to one's home in handsome bound editions. The "Great Books" series zeroed in on books about history, poetry, natural science, math and other fields of study; the "Great Ideas" series was meant to tie all the ideas together, and that was the mission given to Roger when he undertook this piece about film.

Given the venue he was writing for, it's probably wisest to look at Roger's long, wide-ranging piece as a snapshot of the »

- Roger Ebert

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Rupert Wyatt interview: The Gambler, Apes and more

16 January 2015 3:19 AM, PST | Den of Geek | See recent Den of Geek news »

British director Rupert Wyatt talks to us about his new film The Gambler, and what he's up to next...

Having made his debut feature with the acclaimed 2008 thriller The Escapist, British filmmaker Rupert Wyatt directed the hugely successful Rise Of The Planet Of The Apes in 2011. Reviving a franchise that had long since slipped into the doldrums, it was hailed as a summer film with an all-too-rare streak of intelligence.

Wyatt's latest film is a very different proposition: a remake of the 1974 film starring James Caan, The Gambler is a slickly-written drama about a college professor (an against-the-grain Mark Wahlberg) in hock to some very dangerous people. With his debts mounting, Wahlberg's gambler resorts to a series of schemes to try to pay his way out of trouble, only for his self-destructive nature to send him sinking further into the mire.

As The Gambler's UK release approaches, we catch »

- ryanlambie

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