| Photos (See all 11 | slideshow) | Videos (see all 3) |
| Brahim Hadjadj | ... | Ali La Pointe (as Brahim Haggiag) | |
| Jean Martin | ... | Col. Mathieu | |
| Yacef Saadi | ... | Djafar (as Saadi Yacef) | |
| Samia Kerbash | ... | One of the girls | |
| Ugo Paletti | ... | Captain | |
| Fusia El Kader | ... | Halima | |
| Omar | |||
| rest of cast listed alphabetically: | |||
| Mohamed Ben Kassen | ... | Petit Omar | |
| Michele Kerbash | ... | Fathia (uncredited) | |
| Franco Morici | ... | (uncredited) | |
| Tommaso Neri | ... | Captain (uncredited) | |
| Gene Wesson | ... | (uncredited) | |
Directed by | |||
| Gillo Pontecorvo | |||
Writing credits(in alphabetical order) | ||
| Gillo Pontecorvo | ||
| Franco Solinas | ||
Produced by | |||
| Antonio Musu | .... | producer | |
| Yacef Saadi | .... | producer | |
| Fred Baker | .... | executive producer (uncredited) | |
Original Music by | |||
| Ennio Morricone | |||
| Gillo Pontecorvo | |||
Cinematography by | |||
| Marcello Gatti | |||
Film Editing by | |||
| Mario Morra | |||
| Mario Serandrei | |||
Production Design by | |||
| Sergio Canevari | |||
Set Decoration by | |||
| Sergio Canevari | |||
Costume Design by | |||
| Giovanni Axerio | (uncredited) | ||
Makeup Department | |||
| Maurizio Giustini | .... | key makeup artist | |
| Hamdi Mohamed | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Moussa Haddad | .... | second assistant director | |
| Giuliano Montaldo | .... | second unit director | |
| Fernando Morandi | .... | assistant director | |
Art Department | |||
| Tarcisio Diamanti | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Alberto Bartolomei | .... | sound synchronisation | |
| Omar Bouksani | .... | sound technician | |
Special Effects by | |||
| Aldo Gasparri | .... | special effects (uncredited) | |
Costume and Wardrobe Department | |||
| Giovanni Axerio | .... | wardrobe | |
Editorial Department | |||
| Lina Caterini | .... | second assistant editor | |
| Anna Maria Montanari | .... | first assistant editor | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
Other crew | |||
| Margherita Autuori | .... | unit publicist (as Rossetti) | |
| Alfredo Di Santo | .... | production secretary | |
| Alfredo Di Santo | .... | script supervisor | |
| Enrico Lucherini | .... | unit publicist (as Lucherini) | |
| Mario Maestrelli | .... | administrator | |
| Matteo Spinola | .... | unit publicist (as Spinola) | |
| Recent Posts (updated daily) | User |
|---|---|
| Comparisons between this film and Munich | nuv |
| Electrocution scene | OtariiGrl |
| Why so even-handed? | opinionated_girl |
| Oh the irony | In_Limbo73 |
| imdb top 250 | mjlangenbru |
| bias? | magnaestcinema |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Italy section |
"Battle of Algiers" is simply one of the greatest films every made. If film making can be about truth as well as fantasy, then a movie that includes a title card telling viewers that there is not one foot of documentary or newsreel footage in it must deserve viewing.
"Battle of Algiers" contains scenes that seem so real, you suspect that they couldn't have been staged. When three Algerian women come down from the Casbah to plant bombs in the French quarter of the city, you can almost cut the tension with a knife. When the bombs go off, you think they must have been real bombs. And when you see the devastation they leave in their wake, you cannot fail to be moved. The massive rebellion in the streets at the end of the film also seems so real, you sit wondering how many extras must have been injured filming those scenes.
"Battle of Algiers" combines brilliant photography, crisp direction, an intriguing plot and some very fine acting. Throw in a terrific music score, splendid editing, impressive special effects and the best example ever of docudrama style production and you have a masterpiece of film making.
But film making is not nearly as important as human life and no film in general release today says more about America's current involvement in the middle east and many other parts of the world than this picture about the French in Algeria, made more than three decades ago.
Every American should view this film, then think about our current occupation of Iraq.