A film commissioned by the Algerian government that shows the Algerian revolution from both sides. The French foreign legion has left Vietnam in defeat and has something to prove. The Algerians are seeking independence. The two clash. The torture used by the French is contrasted with the Algerian's use of bombs in soda shops. A look at war as a nasty thing that harms and sullies everyone who participates in it. Written by
John Vogel <firstname.lastname@example.org>
According to French government figures, there were 236,000 Algerian Muslims serving in the French Army in 1962 (four times more than in the FLN), either in regular units (Spahis and Tirailleurs) or as irregulars (harkis and moghaznis). Some estimates suggest that, with their families, the indigenous Muslim loyalists may have numbered as many as 1 million. They are not portrayed in this film. See more »
The foot responsible for tripping Ali when running down the street changes from the right to the left foot between cuts. See more »
Jaffar says you weren't in favor of the strike.
Ali La Pointe:
No, I wasn't.
Ali La Pointe:
Because we were ordered not to use arms.
Acts of violence don't win wars. Neither wars nor revolutions. Terrorism is useful as a start. But then, the people themselves must act. That's the rationale behind this strike: to mobilize all Algerians, to assess our strength.
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"Battle of Algiers" is simply one of the greatest films every made. If film making can be about truth as well as fantasy, then a movie that includes a title card telling viewers that there is not one foot of documentary or newsreel footage in it must deserve viewing.
"Battle of Algiers" contains scenes that seem so real, you suspect that they couldn't have been staged. When three Algerian women come down from the Casbah to plant bombs in the French quarter of the city, you can almost cut the tension with a knife. When the bombs go off, you think they must have been real bombs. And when you see the devastation they leave in their wake, you cannot fail to be moved. The massive rebellion in the streets at the end of the film also seems so real, you sit wondering how many extras must have been injured filming those scenes.
"Battle of Algiers" combines brilliant photography, crisp direction, an intriguing plot and some very fine acting. Throw in a terrific music score, splendid editing, impressive special effects and the best example ever of docudrama style production and you have a masterpiece of film making.
But film making is not nearly as important as human life and no film in general release today says more about America's current involvement in the middle east and many other parts of the world than this picture about the French in Algeria, made more than three decades ago.
Every American should view this film, then think about our current occupation of Iraq.
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