A film commissioned by the Algerian government that shows the Algerian revolution from both sides. The French foreign legion has left Vietnam in defeat and has something to prove. The Algerians are seeking independence. The two clash. The torture used by the French is contrasted with the Algerian's use of bombs in soda shops. A look at war as a nasty thing that harms and sullies everyone who participates in it. Written by
John Vogel <firstname.lastname@example.org>
Most of the cast were dubbed as they were all non-professionals. See more »
Early on in the film when a man is being escorted to the guillotine in an Algiers prison, there is a cut from a long shot of the courtyard to a close-up and two men wearing suits suddenly appear by the guillotine even though there is no door nearby through which they could have emerged. See more »
It's hard to start a revolution. Even harder to continue it. And hardest of all to win it. But, it's only afterwards, when we have won, that the true difficulties begin. In short, Ali, there's still much to do.
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Capturing a historic incident/moment with extraordinary accuracy makes a film truly beautiful, painful, and masterful. With the tradition of Italian Neo Realism and French New Wave - i.e. shooting in location and casting nonprofessional actors, The Battle of Algiers harshly seals the ugly realities of both French Legion and Algerian Guerillas - i.e. indiscriminate bombs, tortures, and scapegoats. Ennio Morricone composed one of his early successful scores.
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