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The Battle of Algiers (1966)

La battaglia di Algeri (original title)
Not Rated | | Drama, War | 20 September 1967 (USA)
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In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.

Director:

Writers:

, (story) (as F. Solinas) | 1 more credit »
Top Rated Movies #231 | Nominated for 3 Oscars. Another 9 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
...
Yacef Saadi ...
Djafar (as Saadi Yacef)
...
Ali La Pointe (as Brahim Haggiag)
Samia Kerbash ...
One of the girls
Tommaso Neri ...
Captain
Ugo Paletti ...
Captain
Fusia El Kader ...
Halima
Franco Moruzzi ...
(as Franco Morici)
Rest of cast listed alphabetically:
Mohamed Ben Kassen ...
Petit Omar
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Storyline

A film commissioned by the Algerian government that shows the Algerian revolution from both sides. The French foreign legion has left Vietnam in defeat and has something to prove. The Algerians are seeking independence. The two clash. The torture used by the French is contrasted with the Algerian's use of bombs in soda shops. A look at war as a nasty thing that harms and sullies everyone who participates in it. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

The Revolt that Stirred the World! See more »

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| |

Release Date:

20 September 1967 (USA)  »

Also Known As:

The Battle of Algiers  »

Filming Locations:

 »

Box Office

Budget:

$800,000 (estimated)

Opening Weekend:

$64,870 (USA) (9 January 2004)

Gross:

$815,345 (USA) (10 September 2004)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to French government figures, there were 236,000 Algerian Muslims serving in the French Army in 1962 (four times more than in the FLN), either in regular units (Spahis and Tirailleurs) or as irregulars (harkis and moghaznis). Some estimates suggest that, with their families, the indigenous Muslim loyalists may have numbered as many as 1 million. They are not portrayed in this film. See more »

Goofs

Ali's first assignment is to assault a police officer. During this, the cop's hat falls to the ground, and the position of the hat changes between cuts. See more »

Quotes

Ben M'Hidi: Jaffar says you weren't in favor of the strike.
Ali La Pointe: No, I wasn't.
Ben M'Hidi: Why not?
Ali La Pointe: Because we were ordered not to use arms.
Ben M'Hidi: Acts of violence don't win wars. Neither wars nor revolutions. Terrorism is useful as a start. But then, the people themselves must act. That's the rationale behind this strike: to mobilize all Algerians, to assess our strength.
See more »

Connections

Referenced in Traffic (2000) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An unforgettable study of occupation and defeat.
13 May 2004 | by (United States) – See all my reviews

In 1962 after more than 130 years of French colonial rule, Algeria became independent. Gillo Pontecorvo's `Algiers' shows the decade leading to that liberation in a powerful story about Muslims asserting their rights through violence, hiding, and plotting in the Kasbah, a demiworld of narrow, winding, seemingly endless alleys that are the only protection the rebels have from the eyes of the French. The re-release of the 1965 black and white film is a convincing story of a people who do not want to be occupied and will give their lives so their families can one day be free.

The story centers on a couple of Muslim leaders, the charismatic Col. of the French forces, and the bombings and shootouts that at one point averaged just over 4 per day. The film's sympathy is for the Muslims, but the Colonel has moments of reflection that could be sympathetic, especially with the revelation that he was a member of the resistance in WWII and may have suffered in a concentration camp. The director shows the influence of Italian neo-realists like Roberto Rossellini (`Paisan') by shooting in documentary style on location, using non-actors (except for the Colonel), and generally avoiding an agitprop angle.

But the film's sympathy in the end belongs to the occupied people. When 3 rebel women change appearance to look French, infiltrate, and plant bombs, the irony obvious to American audiences in their current struggle is a tribute to the strength of the narration and characterization and the universal dislike of occupation and subjugation.

The torture of the Muslim prisoners is the most poignant relevance to the recent scandal in Iraq. The Colonel's justification for the practice to gain life-saving information is classic `ends-justify-the-means' logic still being used by great nations. In fact, the Pentagon reportedly had seen this film during the first days of the second Iraq War; some say they learned nothing from the film, which is an unforgettable study of occupation and defeat.


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Algeria would be nowhere.... drew-415
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