A film commissioned by the Algerian government that shows the Algerian revolution from both sides. The French foreign legion has left Vietnam in defeat and has something to prove. The Algerians are seeking independence. The two clash. The torture used by the French is contrasted with the Algerian's use of bombs in soda shops. A look at war as a nasty thing that harms and sullies everyone who participates in it. Written by
John Vogel <firstname.lastname@example.org>
The film is based in part on the memoirs of Yacef Saadi, who wrote them in prison after serving as a leader for the historical NLF. See more »
The foot responsible for tripping Ali when running down the street changes from the right to the left foot between cuts. See more »
We need to have the Kasbah at our disposal. We have to sift through it and interrogate everyone. And that's where we find ourselves hindered by a conspiracy of laws and regulations that continue to operate as if Algiers were a holiday resort and not a battleground. We've requested a carte blanche, but that's very difficult to obtain. Therefore, it's necessary to find an excuse to legitimize our intervention and make it possible. It's necessary to create this for ourselves, this excuse. Unless ...
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Capturing a historic incident/moment with extraordinary accuracy makes a film truly beautiful, painful, and masterful. With the tradition of Italian Neo Realism and French New Wave - i.e. shooting in location and casting nonprofessional actors, The Battle of Algiers harshly seals the ugly realities of both French Legion and Algerian Guerillas - i.e. indiscriminate bombs, tortures, and scapegoats. Ennio Morricone composed one of his early successful scores.
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