Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
Spring 1936, a young unemployed communist, David, leaves his hometown Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the ... See full summary »
In the late 1930s, in Ferrara, Italy, the Finzi-Contini are one of the leading families, wealthy, aristocratic, urbane; they are also Jewish. Their adult children, Micol and Alberto, gather... See full summary »
A film commissioned by the Algerian government that shows the Algerian revolution from both sides. The French foreign legion has left Vietnam in defeat and has something to prove. The Algerians are seeking independence. The two clash. The torture used by the French is contrasted with the Algerian's use of bombs in soda shops. A look at war as a nasty thing that harms and sullies everyone who participates in it. Written by
John Vogel <firstname.lastname@example.org>
This film was very rarely shown in France until recently, and the torture scenes were cut in the US and UK. See more »
Ali's first assignment is to assault a police officer. During this, the cop's hat falls to the ground, and the position of the hat changes between cuts. See more »
Interrogation becomes a method when conducted in a manner so as always to obtain a result, or rather an answer. In practice, demonstrating a false humanitarianism only leads to ridiculousness and impotence. I'm certain that all units will understand and react accordingly.
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"Battle of Algiers" is simply one of the greatest films every made. If film making can be about truth as well as fantasy, then a movie that includes a title card telling viewers that there is not one foot of documentary or newsreel footage in it must deserve viewing.
"Battle of Algiers" contains scenes that seem so real, you suspect that they couldn't have been staged. When three Algerian women come down from the Casbah to plant bombs in the French quarter of the city, you can almost cut the tension with a knife. When the bombs go off, you think they must have been real bombs. And when you see the devastation they leave in their wake, you cannot fail to be moved. The massive rebellion in the streets at the end of the film also seems so real, you sit wondering how many extras must have been injured filming those scenes.
"Battle of Algiers" combines brilliant photography, crisp direction, an intriguing plot and some very fine acting. Throw in a terrific music score, splendid editing, impressive special effects and the best example ever of docudrama style production and you have a masterpiece of film making.
But film making is not nearly as important as human life and no film in general release today says more about America's current involvement in the middle east and many other parts of the world than this picture about the French in Algeria, made more than three decades ago.
Every American should view this film, then think about our current occupation of Iraq.
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