A film commissioned by the Algerian government that shows the Algerian revolution from both sides. The French foreign legion has left Vietnam in defeat and has something to prove. The Algerians are seeking independence. The two clash. The torture used by the French is contrasted with the Algerian's use of bombs in soda shops. A look at war as a nasty thing that harms and sullies everyone who participates in it. Written by
John Vogel <firstname.lastname@example.org>
Although the mass scenes look spontaneous, it took quite some planning to make them look that way. Director Gillo Pontecorvo would often draw chalk lines on the ground, dividing the mass in separate groups which had to start walking on cue in order to get proper crowd movement. He also used multiple cameras at a time and used footage from different angles to create the impression that crowds were much larger than they were in reality. See more »
The foot responsible for tripping Ali when running down the street changes from the right to the left foot between cuts. See more »
M. Ben M'Hidi, don't you think it's a bit cowardly to use women's baskets and handbags to carry explosive devices that kill so many innocent people?
And doesn't it seem to you even more cowardly to drop napalm bombs on defenseless villages, so that there are a thousand times more innocent victims? Of course, if we had your airplanes it would be a lot easier for us. Give us your bombers, and you can have our baskets.
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Capturing a historic incident/moment with extraordinary accuracy makes a film truly beautiful, painful, and masterful. With the tradition of Italian Neo Realism and French New Wave - i.e. shooting in location and casting nonprofessional actors, The Battle of Algiers harshly seals the ugly realities of both French Legion and Algerian Guerillas - i.e. indiscriminate bombs, tortures, and scapegoats. Ennio Morricone composed one of his early successful scores.
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