| Videos (see all 2) |
| Ray Charles | ... | Himself | |
| Tom Bell | ... | Steve Collins | |
| Mary Peach | ... | Peggy Harrison | |
| Dawn Addams | ... | Gina Graham | |
| Piers Bishop | ... | David | |
| Betty McDowall | ... | Mrs. Babbidge | |
| Lucy Appleby | ... | Margaret | |
| Joe Adams | ... | Fred | |
| Robert Lee Ross | ... | Duke Wade | |
| Anne Padwick | ... | Bus Conductress | |
| Monika Henreid | ... | Antonia | |
| Brendan Agnew | ... | Antonia's protector | |
| Vernon Hayden | ... | Headmaster | |
| Leo McCabe | ... | Doctor Leger | |
| rest of cast listed alphabetically: | |||
| The Raelettes | ... | Themselves | |
Directed by | |||
| Paul Henreid | |||
Writing credits(in alphabetical order) | ||
| Paul Henreid | story | |
| Burton Wohl | ||
Produced by | |||
| Herman Blaser | .... | producer | |
| Alexander Salkind | .... | executive producer | |
| Michael Salkind | .... | executive producer (as Miguel Salkind) | |
Cinematography by | |||
| Robert Huke | (as Bob Huke) | ||
Film Editing by | |||
| Raymond Poulton | |||
Art Direction by | |||
| Lionel Couch | |||
Makeup Department | |||
| Henry Montsash | .... | hair stylist (as H. Montsash) | |
| George Partleton | .... | hair stylist | |
Production Management | |||
| R.L.M. Davidson | .... | production manager | |
| Wilfred Eades | .... | production supervisor (as Wilfrid Eades) | |
Second Unit Director or Assistant Director | |||
| Stuart Freeman | .... | assistant director | |
Sound Department | |||
| John Aldred | .... | sound recordist | |
| Claude Hitchcock | .... | sound recordist | |
| Jim Shields | .... | dubbing editor (as James Shields) | |
Camera and Electrical Department | |||
| Ronnie Taylor | .... | camera operator (as Ron Taylor) | |
Costume and Wardrobe Department | |||
| Jackie Cummins | .... | wardrobe | |
Editorial Department | |||
| John Lee | .... | assistant editor | |
Music Department | |||
| Stanley Black | .... | composer: additional music | |
| Ray Charles | .... | musical director | |
Other crew | |||
| Eileen Head | .... | continuity | |
| Alexander Salkind | .... | presenter | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Ray Charles gets top-billing as himself in this Paul Henreid (Casablanca) directed slice of swinging 60s London cheesecake. The film opens with the first of many very staged-looking live song performances - Ray doesn't break sweat throughout - and moves 'seamlessly' into a school classroom for sightless children, where Ray plays call-and-response with the kiddies on "Hit The Road Jack". He strikes up a relationship with a small blind boy, and plans for the child to see a top eye specialist in Paris. Through the boy's smothering mum, Ray meets her gruff, overly-casual musician lover, played by Tom Bell, who accepts an invitation to be the American performer's arranger on a European tour including on the itinerary - you guessed - Paris.
While the movie tackles blindness head-on, and has a certain grim charm where it might have gone for sentimentality, it's still little more than a vehicle for Ray Charles - and staged or not, you can't complain - Ray belts out his hits with gusto. The scene with the blind children recalls Sam Fuller's "Naked Kiss", specifically the way Fuller staged the crippled kids' Bluebird" song, and is almost as weirdly haunting in its way. But the little lad himself delivers his lines so mechanically - Ray Charles is "as blind as a bat", he observes drily, before being admonished by mother - that you can't help laughing out loud at choice moments.
Not only do they not make them like this anymore, they didn't even back then - this was just one that slipped through the net while Ray Charles star was still somewhat in the ascendancy. Quite bizarre.