After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he... See full summary »
A seemingly pleasant fellow, Arthur goes berserk and rapes any woman in front of him wearing gold earrings. One woman tells the investigating detective (who is Arthur's uncle) she was raped... See full summary »
A young Danish girl (Helli Louise) seduces everything in sight after daddy (Ole Wisborg) refuses her naughty come-ons. She'll have a lesbian affair with her teacher, pretend that her ... See full summary »
A naive and innocent teenage girl is blackmailed into modeling in the nude for a photographer who is in league with a teenage gang whose boss illegally sells photos of teenage girls being abused and degraded.
Herschell Gordon Lewis
Allison Louise Downe,
Lawrence J. Aberwood
After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he tries to rape her again, she dispatches him and then hits the road, a fugitive from injustice. She goes to the Big City and encounters a string of situations where she gets used and abused. When she finally finds a nice woman to rent from, the woman's son turns out to be a detective, which threatens her newly found identity and peace of mind. Written by
Ed Sutton <firstname.lastname@example.org>
There were several differed posters for this film, all of which featured various women in states of undress (bra and panties, negligee, etc.). None of the women in the posters appeared in the film. See more »
When Meg is walking down the staircase to the janitor's apartment, she is wearing open-toed mules. In the scene in the apartment itself, however, she is wearing regular pumps. (Fact: the feet in the shot on the stairwell are actually those of Doris Wishman; they can also be seen in the Port Authority crowd scene). See more »
Filming in glorious and gritty black and white, Ms Wishman offers us the beautiful and talented Gigi Darlene as an everywoman in 1960's urban America suffering the birth-pangs of the sexual revolution. Take a peek at this, if you ever get the opportunity, to see an example of the art that influenced pulp film-makers of the 1960's and 1970's, John Waters, and many musicians and artists active in the Punk scene.
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