7.0/10
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The Secret Killer (1965)

Le vampire de Düsseldorf (original title)
A true story of Peter Kurten, a serial killer who committed nine murders and many other offenses in Dusseldorf during the Great Depression era.

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Cast

Cast overview, first billed only:
...
...
Anna
Roger Dutoit ...
Commissaire Momberg
Annie Anderson ...
Paula
Michel Dacquin ...
Beck
Anne Carrère
Norma Dugo ...
Une fille
Jessica
Paul Pavel ...
Lehndorf
Robert Le Béal ...
Schroeder
Colette Régis ...
La patronne du cabaret
Jean-Michel Rouzière
André Badin ...
Le garçon du dancing (as Badin)
Tony Soler ...
Mme Loebel
Tanya Lopert ...
Une fille
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Storyline

A true story of Peter Kurten, a serial killer who committed nine murders and many other offenses in Dusseldorf during the Great Depression era.

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7 April 1965 (France)  »

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The Secret Killer  »

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2.35 : 1
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Did You Know?

Goofs

Robert Hussein reads the "Frankfurter Rundschau". Although an article is shown about the vampire of Düsseldorf, another article is about eastern Berlin. The newspaper itself is from the 1960s. The Frankfurter Rundschau was founded after the Second World War. It did not exist in the 30s. See more »

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User Reviews

Watching a serial killer doing his thing
18 May 2015 | by See all my reviews

A brutal murderer was widely known in the 1920's in Germany, nicknamed The Vampire of Düsseldorf (hence the title). He got captured and he appeared to be Peter Kürten. In this version of events we follow Peter committing his crimes. A laborer who pretends he's from high society. There's much attention for the unstable political situation in the days of the Weimar republic. There are fascist everywhere, burning books, beating people up, etcetera.

Watching a serial killer doing his thing is a actually quite weird type of film to watch. But it exists for decades and keeps on fascinating people, until this day (for example Henry, Portrait of a serial killer, or series like The Fall and Dexter). Le vampire de Düsseldorf is an early example from 1965. But a film about (supposedly, director Fritz Lang denied it) the same killer, M., is even older, even from the same year as when Kürten was executed (1931).

The subject isn't very original. As many others already have mentioned, M. by Fritz Lang is a much better film. It's not so much about the killings, rather about psychology, fear and sentiments. As others also have mentioned, there's not much German about this film, not even an attempt to. This film lacks in original storytelling and in realism.

However, the good thing is: I found this film surprisingly stylish. Robert Hossein (who wrote and directed the film, and played the lead) was by then already an experienced film noir director, who knew how to capture the attention with silence, as he did in La Mort d'un Tueur. The street scenes at night are quite marvelous. The camera movements are lovely to see. Many pretty shots, as for example the distant shot of the bar Eldorado, the shot with Anna and all her mirrors, or the following through the streets. Those are absolutely worthy of the predicate film noir. I rate this 7/10, mostly for style.

Unrelated to the review, but I also like the idea of a bar with phones in which, for example, table 14 could call table 8. Apparently a common thing in the 20's. A funny concept that a smart person perhaps can revive again.


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