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A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive.
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of co-opting the I.D. of a dead arms dealer acquaintance.
Director:
Michelangelo Antonioni
Stars:
Jack Nicholson,
Maria Schneider,
Jenny Runacre
Lemmy Caution, an American private-eye, arrives in Alphaville, a futuristic city on another planet. His very American character is at odds with the city's ruler, an evil scientist named Von Braun, who has outlawed love and self-expression. Written by
Gene Volovich <volovich@netcom.com>
Jean-Luc Godard appropriated both the title character and the actor Eddie Constantine from a popular French series of kiss-kiss-bang-bang films released from 1953 (Poison Ivy) to 1963 (Your Turn, Darling). See more »
Goofs
When Lemmy shoots the man in his hotel room, smears on the mirrors from the blank cartridges' charges are plainly visible, instead of a bullet holes or broken glass. See more »
Quotes
Alpha 60:
Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.
See more »
Crazy Credits
Before the credits, Godard adds one letter at a time to compose the word "fin"--"i"..."in"..."fin"--as though to suggest "I, in the end." See more »
An excessively weird although constantly engaging futuristic film, there is plenty to enjoy in it, even though it is a bit hard to understand. Godard makes brilliant use of shadows and lighting to set up a scary atmosphere, and negative images are used effectively throughout to create a sense of awe and provide a feeling of a foreign environment. The sets are very creative, taken from existing buildings in France, and the music used throughout the film fits in delightfully. At times the film bears a bit too much resemblance to Orwell's '1984' to stand on its own two feet, and there might be a few other problems for the nit-picky, but I simply found this to be a fascinating and well made film, and it definitely comes recommended if you simply feel like watching something different for a change.
38 of 49 people found this review helpful.
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An excessively weird although constantly engaging futuristic film, there is plenty to enjoy in it, even though it is a bit hard to understand. Godard makes brilliant use of shadows and lighting to set up a scary atmosphere, and negative images are used effectively throughout to create a sense of awe and provide a feeling of a foreign environment. The sets are very creative, taken from existing buildings in France, and the music used throughout the film fits in delightfully. At times the film bears a bit too much resemblance to Orwell's '1984' to stand on its own two feet, and there might be a few other problems for the nit-picky, but I simply found this to be a fascinating and well made film, and it definitely comes recommended if you simply feel like watching something different for a change.