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The Agony and the Ecstasy (1965)

 -  Drama | History  -  7 October 1965 (USA)
7.1
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Ratings: 7.1/10 from 3,957 users  
Reviews: 56 user | 15 critic

The biographical story of Michelangelo's troubles while painting the Sistine Chapel at the urging of Pope Julius II.

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(based on the novel: "The Agony and the Ecstasy" by), (screen story and screenplay)
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Nominated for 5 Oscars. Another 3 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
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Contessina de'Medici
...
Alberto Lupo ...
...
Venantino Venantini ...
Paris De Grassis
John Stacy ...
Fausto Tozzi ...
Foreman
Maxine Audley ...
Woman
...
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Storyline

Pope Julius is eager to leave behind works by which he will be remembered. To this end he cajoles Michelangelo into painting the ceiling of the Sistine Chapel. When not on the battlefield uniting Italy, the Pope nags Michelangelo to speed up his painful work on the frescoes. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

From the age of magnificence comes a new magnificence in motion pictures See more »

Genres:

Drama | History

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

7 October 1965 (USA)  »

Also Known As:

Irving Stone's The Agony and the Ecstasy  »

Box Office

Budget:

$10,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System) (70 mm prints)| (35 mm prints)

Color:

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Average Shot Length = ~7.5 seconds. Median Shot Length = ~6.8 seconds. See more »

Goofs

Some believe Michelangelo might have been bisexual because he wrote love letters to at least one man and one woman-though some historians thinks this was simply an exercise in writing-yet in the movie he seems to be strictly heterosexual. See more »

Quotes

Contessina de Medici: Your question insults us both!
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User Reviews

 
Extraordinary performances duel between two great actors.
7 August 2013 | by (Spain) – See all my reviews

Italian Renaissance, early sixteenth century (Cinquecento). When Pope Julius II (Rex Harrison) instructs Michelangelo (Charlton Heston) to paint the ceiling of the Sistine Chapel, the artist rejects the job. The Pope obliged to accept it, but Michelangelo destroys his work and flees Rome. When he finally resumed the project, it becomes a battle of wills railways, enlarged by constant artistic and temperamental differences. It is a historical drama based on a bestseller by Irving Stone.

The wonderful work of the dome of the Sistine Chapel in Rome, seen through a short period of the life of the teacher Miguel Angel .. A great script, perhaps to be a little to match the theme of the film, the relationship between man and religion, immense love for art and the struggle for power and that will transcend the human.

This was one of the last major confrontations film of all time: Charlton Heston and Rex Harrison. (Michelangelo and Julius II) locked in a struggle for blackmail purposes, extortionists, and almost amoral. Between Pope and warrior arbitrary and brazen genius and heartbreaking, this drama occurs artistic height, since the battle between drags us, nothing more, nothing less!, That so cool giant of the Sistine Chapel. Historical facts are parallel, the conception of the greatest work of art mural of history, and lost causes of a Pope who crowned his reign by fratricidal wars and some other slaughter. But Heston is the dream Michelangelo. And Harrison plays the most subtle and memorable of the Popes of that Roman curia, somewhere between the luxury of the Medici and the Renaissance genius. Carol Reed follows step by step each move of the two giants. The experience of the Sistine is brutal. It seems a reckoning with the history of art. But it exudes beauty from every pore.

This movie has two great performances by Charlton Heston and Rex Harrison in that bond between them by raising a wonderful work for posterity. The excellent soundtrack by Alex North and Carol Reed's superb work handling make this film also an opportunity to enjoy the art and sentiment approach in many of the scenes from the movie.


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