A knight in the service of a duke goes to a coastal villiage where an earlier attempt to build a defensive castle has failed. He begins to rebuild the duke's authority in the face of the ... See full summary »
Franklin J. Schaffner
The growing ambition of Julius Caesar is a source of major concern to his close friend Brutus. Cassius persuades him to participate in his plot to assassinate Caesar but they have both sorely underestimated Mark Antony.
During the 1900 Boxer Rebellion against foreigners in China, U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
Hard up and with a grudge against insurance companies, Rex Black feigns his death and meets up with his wife and the money in Malaga when things seemed to have quietened down. But when the ... See full summary »
Pope Julius is eager to leave behind works by which he will be remembered. To this end he cajoles Michelangelo into painting the ceiling of the Sistine Chapel. When not on the battlefield uniting Italy, the Pope nags Michelangelo to speed up his painful work on the frescoes. Written by
Ed Stephan <firstname.lastname@example.org>
Heston was asked in an interview, which of all the characters he'd portrayed would he like to have as a dinner guest. He said Michaelangelo, but acknowledged that, as the painter did in the film, Michaelangelo would certainly not show up. See more »
As shown in the movie Michelangelo created a flat wooden platform on brackets built out from holes in the wall, high up near the top of the windows. But contrary to the depicted on the film, he did not lie on this scaffolding while he painted, but painted from a standing position. See more »
Pope Julius II:
What do you think we should do here? Bramante wants to pull it down. He likes pulling things down! No, I want to do something less destructive.
See more »
During the 16th century, many artists arrived in Rome to fulfill their dreams of earning a place in the "Book of Florence." Among the top five, two stand out with little or no further introduction, other than their names. Names which today personify the epitome of the Renaissance artists. The first is Leonardo de Vinci and the second is Michelangelo Buonarroti, (Charlton Heston). This film, "The Agony and The Extesy" is the story of the latter. Based on a novel by Irving Stone, it relates the clash of tempers between Pope Julius II (Rex Harrison) and the artist who claimed he was first and foremost a sculpturer. Through the turbulent years of Julius's reign, during which time he tried to unify the Papal States by force, he gave a most difficult, nay, nearly impossible commission to Buonarroti, to fresco the ceiling with some "Appropriate Design" for the Cistine Chappel, on his back, on a curved surface 70 feet in the air. The film illustrates the great suffering the artist endured for a commission he never asked for. During the same time, the pope did his best to make a bid for immortality, by forcing the painter to do the impossible. The fact we are given Harry Andrews to play Bramante, who is the pope's architect and Adolfo Celi as Giovanni de Medici, adds to the film becomes history in the making. The movie itself is classic in nature and it's effect is breathtaking in it's climatic rendering. Excellance is the final gift. ****
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