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The Agony and the Ecstasy (1965)

Approved | | Biography, Drama, History | 7 October 1965 (USA)
The biographical story of Michelangelo's troubles while painting the Sistine Chapel at the urging of Pope Julius II.

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(based on the novel: "The Agony and the Ecstasy" by), (screen story and screenplay)
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Nominated for 5 Oscars. Another 3 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
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Contessina de'Medici
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Alberto Lupo ...
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Paris De Grassis
John Stacy ...
Fausto Tozzi ...
Foreman
Maxine Audley ...
Woman
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Storyline

Pope Julius is eager to leave behind works by which he will be remembered. To this end he cajoles Michelangelo into painting the ceiling of the Sistine Chapel. When not on the battlefield uniting Italy, the Pope nags Michelangelo to speed up his painful work on the frescoes. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

A raging era of titans, popes and princes... of conspiracy and conflict... of turmoil and transgressions... of a man among men... of magnificence! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

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Release Date:

7 October 1965 (USA)  »

Also Known As:

Irving Stone's The Agony and the Ecstasy  »

Box Office

Budget:

$10,000,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System) (70 mm prints)| (35 mm prints)

Color:

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Reputedly the favorite film of notorious British gangster Reggie Kray. See more »

Goofs

As shown in the movie Michelangelo created a flat wooden platform on brackets built out from holes in the wall, high up near the top of the windows. But contrary to the depicted on the film, he did not lie on this scaffolding while he painted, but painted from a standing position. See more »

Quotes

Pope Julius II: You see, my son... how well we understand each other... when you don't shout?
See more »

Connections

Referenced in QI: Atoms (2003) See more »

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User Reviews

 
Purportedly a biography of Michelangelo, it turned out to be that of Pope Julius II
28 January 2005 | by (United States) – See all my reviews

The movie is better than the book in the sense that it is kinder to Michelangelo. Remember that in the book there were hints of the artist's latent homosexuality to explain his lack of interest in women. In the movie, this is attributed to his dedication to his artistry. His greatest rival in the arts, Leonardo da Vinci also does not figure in the movie, but to no great loss as his presence would have needlessly complicated the plot.

The movie portrays Pope Julius II, "the warrior Pope" in good light. He took up the sword to finally bring an end to French interference in the papacy (cf. the "Babylonian Captivity" of the papacy in Avignon). And of course, despite the notorious division of Italy into city states, he struggled to free that country from foreign domination while keeping the papal states intact.

Rome is correctly shown as a city in decay during the Middle Ages. It took Julius II to finally build a Basilica worthy to be the focus of world Christianity. His patronage of the arts and of grand architecture enabled Rome to justly keep the title "The Eternal City."

In the end, Julius II may be judged as a competent monarch and in his way, a faithful priest who initiated many reforms to curb corruption among the clergy.

Heston and Harrison, both great actors, brought out the best in one another as they gamely sparred in this immortal film - one as the driven and haunted artist, the other as the saturnine Pope fighting to preserve the temporal power of the papacy against all odds.


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