The miniature maniacal Miguelito Loveless is landing his bandits into small bank robberies, then he burns the money. It seems Loveless has bigger plans and is only using these stunts as training for ...
Combat!, a one-hour World War II drama series on television, followed a frontline American infantry squad as they battled their way across Europe. With mud-splattered realism, the show ... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (five-card draw) is ... See full summary »
James West and Artemus Gordon are two agents of President Grant who take their splendidly appointed private train through the west to fight evil. Half science fiction and half western, Artemus designs a series of interesting gadgets for James that would make Inspector Gadget proud. A lighthearted adventure series. Written by
John Vogel <firstname.lastname@example.org>
The show was originally titled "The Wild West", but was renamed when it was decided that "The Wild Wild West" sounded better. See more »
The train car has numerous hidden compartments which slide out of the wall or down from the ceiling. In actuality these compartments are much too large to fit inside the walls of the car and would extend out past the sides and roof. See more »
The opening credits as originally designed for the pilot (and included on the season 1 DVD) show the animated cowboy knocking down the woman trying to stab him. In the first season as aired, the cowboy kisses the woman, who dreamily turns away instead of trying to stab him. Later episodes reinstated the cowboy knocking the woman down. See more »
They say time can play tricks, but I would bet that if some cable channel started to show "The Wild Wild West" again it would work its magic on me the same way it did when I watched it as a youngster in Barbados in the 1980s. Just the animated opening titles were spellbinding; this may sound weird, but I always thought it was a plus when the last panel to be filled in was one of the lower two (especially the one with the lady on the ground). It had action, it had mystery, it had everything.
It also had a theme tune that was a helluva lot better than anything in that dispiriting 1999 movie (if Warner Bros thought no one would remember it, they were wrong). Robert Conrad, Ross Martin (RIP), and creator Michael Garrison, we salute you.
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