Three people, a man convicted of cowardice, a Lesbian and a self obsessed Blonde are put in a small, stark room with a few garish modern artworks and three benches. All have died and are in Hell, but instead of devils, fire, brimstone and physical torture, they spend eternity there with each other's loathsome company.
Barbara is an assertive, clever, liberated woman, her own boss. Who'd think she could be swept off her feet by a handsome stranger for whom she'd give up her career, London, everything? Especially as her new husband maybe wants to kill her.
Three swindlers advertise a self-assertiveness seminar, lure a dozen victims to a hotel and attempt to persuade them to enroll in their course. However, a man claiming to be the critic-essayist William Hazlitt (1778-1830) attacks the consumerist values outlined by the motivational speaker.
Astronaut Osborne is stuck in a malfunctioning capsule. As he goes round and round the Earth, he starts telling jokes and secrets. When the time comes to bring him down to Earth, he can't face it as he feels like a sexual failure.
A dull witted young labourer from a criminal family is sent to gaol for a minor crime, leaving his pregnant girlfriend unmarried. But while there he is talked into attacking a guard, who later dies, so he's then sentenced to hang for his crime, despite a protest and newspaper campaign for leniency.
Written for THE WEDNESDAY PLAY (1964-70), which the BBC retitled PLAY FOR TODAY in 1970, ALICE has the earliest airdate (10/13/65) of the Potter productions to survive on tape. After THE CONFIDENCE COURSE (1965), it's the second of the nine Potter plays seen on THE WEDNESDAY PLAY. In this look at Charles Lutwidge Dodgson (1832-1898), aka Lewis Carroll, Potter mixed biographical drama with a psychological profile to explore the roots of Dodgson's creativity. Dodgson tells stories to ten-year-old Alice Liddell, leading to recreations of scenes adapted from ALICE'S ...
Fragments of the life of three working-class women, and the people around them, in South London in the 1960s. Scenes in homes, streets, pubs, prison and their workplace cover family, friendship, romance, sex, and abortion.
A simple minded man on the outs with his wife and her family must take a large amount of his father-in-law's hard earned money to buy a house, in the belief that home ownership will make him responsible and respectable. Instead he throws it away on a mad spending spree with his daughter.
Semi-autobiographical TV play by Dennis Potter, from the BBC's 'Wednesday Play' series. It deals with the experiences of Nigel Barton, a young man from a poor mining community who wins a scholarship to Oxford University. The villagers accuse him of snobbery, while the rich University students treat him like a peasant. Uncertain of which sphere he should be moving in, Nigel tries to reconcile himself with his proud but stubborn father, and also succeed at University, despite its pretentions which apall him.
BBC TV play from the 'Wednesday Play' series. Hywel Bennett plays a mentally disturbed Welsh teenager obsessed with Wild West films. His volatile temperament loses him the few people who might have been sympathetic, and helped him. Instead, he spirals down to inevitable destruction.
From the BBC's influential 'Wednesday Play' series. This tells the bleak tale of Cathy, who loses her home, husband and eventually her child through the inflexibility of the British welfare system. A grim picture is painted of mid-sixties London, and though realistic the viewer cannot but realise that a political point is being made. One of the consequences of this film was the enormous public support for the housing charity 'Shelter', whose public launch came shortly after the programme was first shown.
In a series of small vignettes, we follow the course of a manic-depressive girl through high and low instances, slowly following her disintegration as she deals with her doctors and family, especially her hot headed, unimaginative father. Eventually she is brought back to a mental asylum where she'd been committed before.
BBC TV play, from the 'Wednesday Play' series. An elderly painter, once radical and confrontational, is given a final commission - to paint the portrait of the elderly establishment figure who represented a totally opposing set of values when they were both young. Both men are now old and of little consequence to the modern generation, but the painter sees his opportunity to make an artistic statement by means of the portrait.
An African-American trumpet player spends a few hours in an English provincial town, with a girl who happens to be white. As a result, each learns to care for the other, not as a "cipher of a divided society" but as a vulnerable human being.
Two couples, one fights all the time and the others let tensions in their relationship build until one stabs the other, the ones that fight end up saying oh well let's murder Vivaldi they pick up their violins and play together.
From of the BBC's 'Wednesday Play' series. A comedy in which a teenage boy reluctantly accompanies his ghastly family on a coarse bank-holiday day out to local beauty spot and tourist trap, the Cheddar Gorge.
Part of the BBC's celebrated 'Wednesday Play' series of the 1960s, this early work by Dennis Potter is set in an isolated New Forest community in 19th Century Britain. A young local girl is murdered by a mentally disturbed youth, but the villagers blame a stranger, an Italian traveling showman and his bear, rather than see the rot in their own camp.
Dennis Potter's controversial reading of the life of Christ, with Jesus portrayed as a hearty, fiery, well-meaning carpenter who believes that people should try to love their enemies rather than fight all the time, but who is racked by self doubt as to whether or not he is the popularly anticipated Messiah.
A shy clerk suffers from his colleagues petty office politics and contemptuous treatment of him, but this weekend, as a deeply involved train spotter, the closing of an old tunnel is his big adventure. On the way up, he encounters a well off couple with a daughter that hates them, and an Army Sergeant whose men hate him. The hotel he stays at is run by a fellow railway enthusiast, with a gay son that hates him, and he meets a famous signal designer with a daughter that hates him.
In the first part, an insane man boards a quiet railway coach and starts to annoy a patient man trying to read a paper with incessant small talk in an increasingly menacing manner until he finally pulls out a gun and screaming class hatred bile, humiliates the man until his stop is reached. In part two he breaks into a lonely house and proceeds to terrorise a spinster woman who lives there.
In the year 2050, advances in medicine have resulted in a need for population control. People reaching the age of 100 must submit to a government controlled euthanasia program. The story centers around a 100-year old couple who must now make plans for their funeral.