Secret Agent (1964–1966)
"Danger Man" (original title)

TV Series  |   |  Action, Adventure, Crime
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Two years after the original "Danger Man" series concluded, it was revamped and retconned. The series returned in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now... See full summary »

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Title: Secret Agent (1964–1966)

Secret Agent (1964–1966) on IMDb 8.3/10

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3   2   1  
1967   1966   1965   1964  

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The Avengers (1961–1969)
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A group of terrorists take a radio disk jockey and his wife and child hostage in order to get their manifesto out to the world.

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Secret Agent (1936)
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After three British agents are assigned to assassinate a mysterious German spy during World War I, two of them become ambivalent when their duty to the mission conflicts with their consciences.

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Ghost Squad (TV Series 1961)
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Drama
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In 18th century England, the mysterious masked rider known as the Scarecrow leads a rebel band to save the town of Romney Marsh from the King's oppression and Naval press gangs.

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Cast

Series cast summary:
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 John Drake (47 episodes, 1964-1967)
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Storyline

Two years after the original "Danger Man" series concluded, it was revamped and retconned. The series returned in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now an agent for MI9, getting exotic assignments exclusively from Her Majesty's Secret Service as an agent of M9. This version of the series introduced several Bond-like gadgets, including a tape-recording shaver, as well as a lighter with a camera hidden inside. Written by Marg Baskin <marg@asd.raytheon.ca>

Plot Summary | Add Synopsis

Plot Keywords:

gadget | sequel | spy | espionage | See All (4) »


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Release Date:

3 April 1965 (USA)  »

Also Known As:

Secret Agent  »

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Technical Specs

Runtime:

(47 episodes)

Sound Mix:

(Westrex Recording System)

Color:

(seasons 1-3)| (season 4)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Contrary to some reviews of this series that appeared in the 1960s (and, in fact, more recent reviews from the 1990s and 2000s), Danger Man was one of the least violent spy series ever. Its' hero rarely, if ever carried a gun, and during the course of the series never shot anyone to death (though in at least one episode Drake pretends to as part of a ruse, and he does so again in a dream sequence in another episode). Villains usually were left alive at the end, with some exceptions, which was also a rarity for the genre. (Drake wrestles with Papa Camille for a handgun. Drake turns the handgun into Papa Camille's chest and fires, killing him.) In the episode, Secret Agent: To Our Best Friend (1965), after an enemy agent tells him to keep his hands out his pocket (to avoid a suspected gun), Drake replies; 'I never carry a gun. They're noisy and they hurt people. Besides, I manage very well w/out.' See more »

Crazy Credits

Episode titles appear at the end of the episode opening credits, rather than at the beginning. See more »

Connections

Referenced in Nearest and Dearest: Compliments of the Season (1970) See more »

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User Reviews

The Best Television Can Get
8 November 2004 | by (California) – See all my reviews

Secret Agent Man

Known in the States as Secret Agent Man, Danger Man – with just a few misfire episodes, is for me, the best television in history. Better at what it does than what Seinfeld did for its genre, better even, than the BBC's The Office. 'The Best.' The stonking, pound-for-pound champion of television. Better still, than its successor, The Prisoner.

Despite what has dated, what is stunning about Danger Man is what has not. In a sense, it's sickeningly depressing, because the plot concerns are eerily of the moment. Right wing takeovers, identity theft, internment camps, Geneva and Rome endings for unlucky agents … and a majority of episodes concerning the Middle East, which- either through huge coincidence or prescience, relate to Iraq, Israel and Lebanon! There is even a slightly anti-Israeli cautionary tale – how likely is that, today or any day? (No turncoat is John Drake; there is a touching episode or three when Drake doesn't cut any slack to those who have sold out their country, whatever their sad stories.)

Despite rumors, Patrick McGoohan was apparently never in British Intelligence. A little boxing, stage acting and chicken farming, yes; spying, no. McGoohan certainly fits the perception of the professional spy: Incredibly handsome, tall, and tough – but separate that image - also, humane, free of racial prejudiced and pro-women. Drake uses brain and brawn- he throws a good right hander, for example, though his pathetically slow running, is thankfully, kept to a minimum. (For a real laugh, dig Sean Connery running in You Only Live Twice. These spy cats ain't sprinters.)

As has been noted countless times, it's rather remarkable, that the program's standard of writing –in an average episode, as high as a good film - was maintained, week in, week out. Rare duff episodes aside, Danger Man is that rare show with consistently great and novel writing. Many episodes demand repeated viewing.

The Danger man formula included fine photography. There are exotic exteriors – McGoohan who incidentally, co-wrote several of the better episodes, let his camera people fly around the world and film whatever they liked. The interiors were filmed - I believe at Shepperton and with a few conspicuous exceptions, (some 'beaches' set in the Caribbean are dire) the interiors are HIGHLY convincing. Thus, the exterior shots of the Alps are followed by cuts to Switzerland- at- Shepperton, if you will; just marvelous; though the lighting of course, never matched.

In most episodes, Drake meets his masters for assignments in a variety of London locales. Brilliant. Are our own security services this smart? The wonderful harpsichord tune, an inevitable shot of a jet plane landing God knows where and we know: 'Here comes Drake, the brainy detective to once again, prevail with his wits – with a little help from dem fists!'

The foresight is creepy. McGoohan, who must be a peacenik, seems, from almost 40 years ago, to warn us across the chasm of time, of the dangers of a society under constant surveillance, plagued by right-wing lunatics, both harassed and sold out. A society with an uncertain future. Using his masterful Shakespearian voice (he was voted tops on the stage in 60') a fairly good range and some specialties – drunks are particularly good; McGoohan and company are very formulaic per 1960's norm – but what a wonderful brew they've concocted.

The guest stars are, almost without exception, excellent and diverse. So good that when a well-known British character actor is doing the world's worst Scottish accent; somehow, the plot flows on. The terrible attempts at a burr are in fact, an unadvertised, campy bonus. Surprises abound from a talented cast of stars – in many cases, easily eclipsing the performances of name actors from the big screen.

In the final analysis, it is Drake, Pat McGoohan and the writers, himself included, which make this the best show in the short history of TV. Patriot and lover of Britain to the end, handy man with gadgets, hater of guns and promiscuous sex, these are part of the appeal. But it is the palpable sense of doubled standards worrying Drake that is the real star shower: 'How bad is the East,' and, 'Does the murder' (yes, murder) 'that our side gets up to … is it justified in a war on, among other things, terror and is the price sustainable?'

The best episode is a pure fantasy rather than a espionage or political thriller. It is a tale of identity theft involving perfect plastic surgery – impossible in 1964, yet today's news. That episode, 'Slay It With Flowers,' with its dazzling guest stars – foremost, young Rachel Herbert with a stellar turn as the innkeeper's daughter, is probably the best that television will ever be A plot torn from today's headlines … fine acting, palpable danger, and above all John Drake's creed that people who don't deserve to get hurt, do.

But not if he can help it. And help he does.

Dangerman is here!

** If you can find the last two episodes in color, you're in for a treat. While most reviewers find them stilted, (McGoohan lost interest after filming the episodes and immediately ended the series) I beg to differ. The color is great and one scene, set amongst Kabuki 'dolls' one of which is a very real, murderous human, is one of the finest things I've ever seen attempted.


26 of 29 people found this review helpful.  Was this review helpful to you?

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