Two years after the original "Danger Man" series concluded, it was revamped and retconned. The series returned in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now...
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Drake takes the place of a defector and goes behind the iron curtain to find out what is happening when foreign agents reach England. When he gets there he finds a replica English village, which is a...
The Jolly Roger is pirate radio station on an old sea fort. A DJ is killed just as he sends a message saying that the station is sending coded messages to foreign submarines. Drake goes undercover as...
John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace. The series featured exotic locales from all ... See full summary »
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
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Nyree Dawn Porter,
Two years after the original "Danger Man" series concluded, it was revamped and retconned. The series returned in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now an agent for MI9, getting exotic assignments exclusively from Her Majesty's Secret Service as an agent of M9. This version of the series introduced several Bond-like gadgets, including a tape-recording shaver, as well as a lighter with a camera hidden inside. Written by
Marg Baskin <firstname.lastname@example.org>
When at home in London, Drake drives an Austin Mini Cooper S, registration number 731 HOP; although undetectable in monochrome the colour scheme was Smoke Grey/Old English White. The car was deliberately chosen as a more speedy and inconspicuous vehicle than those preferred by contemporary fictional agents like James Bond or John Steed. See more »
The first episode broadcast in the United States ("Battle of the Cameras") actually features two opening credit sequences. The first is a brief, 10-second introduction featuring a few bars of "Secret Agent Man" and a credit for Patrick McGoohan (running roughly the same length as the original UK credits). This is followed by the teaser, and then the regular credits. In all future US broadcasts, the pre-teaser credit sequence was dropped. See more »
In North American syndication it was SECRET AGENT, but . . .
Believe it or not, I did not see any of this programme until 1992-93. It was shown one per night on CBC-Windsor at difficult to establish late hours. In spite of the inconvenience, I made it my business to see as many as possible; my first was when Drake had a car crash, blacking out . . . and you will just have to see it.
It was well cast with well-crafted supporting characters. I had no idea it was the progeny of an earlier show about a NATO operative, a few episodes of which I saw in 1961 (and none since). One notes comment that SECRET AGENT was inspired by the 007 films, which is beyond dispute, but I respectfully disagree that it was as "gadgety" as the Bond films, and furthermore it was devoid of the latent camp. Exception: "Would You Like Some Wine" (if memory serves). Perhaps it was the b.&w. presentation that made it more -- pardon the cliche -- gritty.
Most of the episodes were good. It seems some of the later ones (did the series run into 1967?) were the weakest: Far-fetched and in a few cases ridiculous without being tongue-in-cheek. I cannot say whether SECRET AGENT came to an end because it ran out of petrol or because the more ambitious THE PRISONER was on the drawing boards. All said, I agree that one should make every attempt to see the series, and no, being period piece does not distract for those able to make a mature adjustment to such.
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