Ben Gazzara plays a successful lawyer who is told by his doctor in the first episode that he will die in one to two years. He decides to do all of the things he has never had time for. The ... See full summary »
Whilst traveling greyhound, Paul crosses paths with Tina, an abrasive yet enigmatic fifteen-year-old. However, their journey is shortly interrupted by a breakdown, forcing the two to continue via a ...
Without one eccentric first-generation Jewish immigrant from Transylvania, the New York City Marathon simply wouldn't exist. Ehrlich's fun, loving, and inspirational tribute to the late ... See full summary »
Los Angeles is where Sgt. Nick Anderson and his fellow officers work to keep the streets safe. After the arrest of the accused, attorney John Egan plans their defense while the prosecution is lead by Jerry Miller.
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
This groundbreaking series had three rotating stars, who were featured in independent episodes tied together by a loose common theme. The commonality was Howard Publications, the self-made ... See full summary »
Susan Saint James,
Ben Gazzara plays a successful lawyer who is told by his doctor in the first episode that he will die in one to two years. He decides to do all of the things he has never had time for. The program becomes a series of plays in which he meets a wide variety of people from bums riding the rails, to gigolos, to orphans and becomes a man who has little fear of death and everything but time. Written by
John Vogel <firstname.lastname@example.org>
Opening credits narrator:
[season 3 opening credits]
Paul Bryan, Attorney at Law, future full of promise. Until a medical examination reveals he has a short time to live, precious time, time to be used, time to crowd 30 years of living into one... or two.
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During seasons one and two, Roy Huggins was credited as Executive Producer during the opening credits after the program's episode titles. During season three, for unknown reasons, Huggins was not clearly credited as Executive Producer. In addition, Huggins was nominated for an Emmy as Executive Producer for the show's final season. The end credits state the following: A Roncom Films-Roy Huggins Production. See more »
"Run for Your Life" was one of those shows that Johnny Carson loved to joke about, back in the sixties; with the premise that a wealthy 30-ish lawyer had a fatal disease with only one or two years left to live, when the show entered it's third season, did this mean the specialists were quacks, or that the hero's globe-trotting adventures invoke some 'miracle cure'?
The joking aside, the series' novel premise gave star Ben Gazzara an opportunity to display his well-respected dramatic skills (he'd created the role of Brick in "Cat on a Hot Tin Roof" on Broadway, and, with Peter Falk, would make a major impact in John Cassavetes' innovative films of the sixties and seventies), and turn the routine plots into often engrossing character studies.
There could never be a truly 'happy' end to any episode; even when 'Paul Bryan' resolved the issues raised in a show, he could never enjoy the 'fruits' of his endeavors, or even promise to return to the people whose lives he'd changed. If he fell in love (which, naturally, happened), he had to either deny it, or pass the reciprocated love to someone else (unless the girl herself died), so 'bittersweet' was the best term to describe the show, a quality similar to "The Fugitive", as well.
As NBC required 'action' in their series, "Run for Your Life" had Bryan often "in harm's way", and each time he was treated by a doctor or hospital, there was the added tension of whether his exertions might accelerate his disease. Gazzara's Bryan was not trying to commit suicide, but was trying to live his remaining time to the fullest, so his anguish when facing risks had a very 'real' basis, and gave Gazzara some of his best series' moments.
Despite the 'backlot' feel of the 'international' locales (the show never went on location), and the casting of the same actors who appeared in many other Universal-produced series of the period, veteran producer Roy Huggins tried to keep each episode fresh and original, through the use of stock footage, music, and clever editing.
"Run for Your Life" was not a 'great' series, but was unconventional for it's time, and, as a showcase for Ben Gazzara, was definitely worth watching.
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