A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his ... See full summary »
David Callan is the top agent/assassin for the Security Service (British counterintelligence), but he is an embittered man who performs his duties "for Queen and country" under duress. This... See full summary »
The Hamburg police arrest an international businessman, charging him with smuggling heroin from Pakistan. While he's on trial, his trophy wife, a former Olympic swimmer, discovers steely ... See full summary »
James Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started... See full summary »
A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his attempts to make a tenuous living on the outskirts of London. Fairly cheaply made on video, when the series went into colour in 1970, rather than re-making the evocative title sequence, the producers (Thames Television) merely put it through a sepia filter! Written by
First seen in "Well - There Was This Girl, You See...", the framed artwork given to Frank by Nell Holdsworth which decorates his offices thereafter, is an 1823 representation by John George Murray (after James Stephanoff), of 'The Trial of Queen Caroline', when the Pains and Penalties Bill 1820 was pushed through and passed in the House of Lords at the bequest of King George IV in an attempt to discredit his estranged wife. Its title is fully "View of the interior of the House of Lords, during the important investigation in 1820." See more »
At the start of the second season, Marker moves into new premises in Birmingham which overlook Kane's Timber Yard. Despite the busy sound effects added by the production team to convey the atmosphere of a hectic workplace, the view from his office window regularly depicts the same selection of long-untouched wooden planks, since the scene is a stationary backdrop. By the following series Kane's have been taken over and presumably demolished, as a view of tower blocks has replaced the yard. See more »
It's been over 30 years since I last saw Public Eye on UK ITV, but having just watched some of the 1969 episodes released on DVD it's as I remembered it: grimy and gritty. There was a marvellously downbeat downtrodden atmosphere to all the series (I'm too young to remember the first from the mid-sixties, all wiped), partly thanks to the fact neither ABC nor Thames wanted to spend much money on it, and not just the acting or the stories. Those who remember the series have no chance in forgetting the lugubrious theme music, oft repeated per episode at the commercial break bumpers.
Welcome to Brighton? broadcast 30.07.69: Framed ex convict Frank Marker indelibly played by angular and craggy Alfred Burke leaves HMP Ford for a new start in Brighton. A few ordinary adventures later his cynical outlook is seemingly proved justified by our glimpse into a dull grainy world of varying but usually seedy human emotions. Being an "Enquiry Agent" was in his blood, as performing a simple favour to an acquaintance in prison brings out the bloodhound in him.
I don't go overboard for "realism" in films or TV - give me Abbott & Costello any day! But I do recommend Public Eye for something refreshingly different to today's type of TV drama, a realism at once hard but at the same time humdrum and fantastic too, and also basically portraying a non-colour, non-violent and non-CGI world too.
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