A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his ... See full summary »
David Callan is the top agent/assassin for the Security Service (British counterintelligence), but he is an embittered man who performs his duties "for Queen and country" under duress. This... See full summary »
David Callan, top agent/assassin for the S.I.S., was forced to retire because he had lost his nerve. Now, Callan is called back into service to handle the assassination of Schneider, a ... See full summary »
Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly ... See full summary »
A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his attempts to make a tenuous living on the outskirts of London. Fairly cheaply made on video, when the series went into colour in 1970, rather than re-making the evocative title sequence, the producers (Thames Television) merely put it through a sepia filter! Written by
First seen in "Well - There Was This Girl, You See...", the framed artwork given to Frank by Nell Holdsworth which decorates his offices thereafter, is an 1823 representation by John George Murray (after James Stephanoff), of 'The Trial of Queen Caroline', when the Pains and Penalties Bill 1820 was pushed through and passed in the House of Lords at the bequest of King George IV in an attempt to discredit his estranged wife. Its title is fully "View of the interior of the House of Lords, during the important investigation in 1820." See more »
At the start of the second season, Marker moves into new premises in Birmingham which overlook Kane's Timber Yard. Despite the busy sound effects added by the production team to convey the atmosphere of a hectic workplace, the view from his office window regularly depicts the same selection of long-untouched wooden planks, since the scene is a stationary backdrop. By the following series Kane's have been taken over and presumably demolished, as a view of tower blocks has replaced the yard. See more »
I would thoroughly recommend this series to anyone who is tired of the trend in British TV for murder in middle England, conspiracy and terrorism stories and the excess of melodrama in the soaps.
Public Eye brings the viewer down to earth with a bump, no glamour, gentility or sensational plots here just the daily grind of trying to earn an honest crust. Frank Marker, marvellously portrayed by Alfred Burke, is a private enquiry agent who investigates the most routine cases imaginable. He may be checking on unfaithful husbands, looking at minor fraud or petty theft. Occasionally he is used by clients who have ulterior motives and he gets involved in cases he wishes he hadn't. The story lines are thoroughly believable so that viewers quickly identify with the situation. The characters are well developed, sympathetic and demand your attention, but it is Marker who always draws the viewers eye. A loner, he does not make friends easily (at all!) yet we find ourselves identifying with him and caring about him. Add to this Public Eye was made 35 years ago and it is fascinating to see how values and attitudes have changed in the intervening years.
The 1969 series concentrates more on Marker himself following his release from prison for a crime he did not commit. While the 1971 series sees him going about his normal enquiry business. My only regret is that most of the early series (1-3) are lost forever and of the other 4 series only the two mentioned above have so far been released on DVD.
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