A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his ...
See full summary »
David Callan is the top agent/assassin for the Security Service (British counterintelligence), but he is an embittered man who performs his duties "for Queen and country" under duress. This... See full summary »
When a straight-laced British accountant marries a free-spirited American, he starts trying to change her. His wife doesn't keep regular hours, so he suspects an affair and hires a ... See full summary »
McGill (known as "Mac") was a former U.S. intelligence agent based in London. After being thrown out of the agency for something he did not do, he finds his "false" reputation has preceded ... See full summary »
A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his attempts to make a tenuous living on the outskirts of London. Fairly cheaply made on video, when the series went into colour in 1970, rather than re-making the evocative title sequence, the producers (Thames Television) merely put it through a sepia filter! Written by
First seen in "Well - There Was This Girl, You See...", the framed artwork given to Frank by Nell Holdsworth which decorates his offices thereafter, is an 1823 representation by John George Murray (after James Stephanoff), of 'The Trial of Queen Caroline', when the Pains and Penalties Bill 1820 was pushed through and passed in the House of Lords at the bequest of King George IV in an attempt to discredit his estranged wife. Its title is fully "View of the interior of the House of Lords, during the important investigation in 1820." See more »
The Golden Flower Chinese restaurant is visible through the window of Frank's Eton High Street office - but as seen in location work for editions such as "Come Into the Garden, Rose", the eaterie is actually found two doors down from Marker's premises. The Thames production team designed the studio backdrop like this as they felt what actually faced the office was visually uninteresting. See more »
Public Eye was a fine series and deserves a place in the British TV Hall of Fame. It's a shame it's not shown regularly on terrestrial TV, but I'm glad to see it's now available on DVD.
It was part of Alfred Burke's brilliance in the part that Frank Marker was a character with no real character traits. We knew nothing about his background, a mystery which was never solved for us by the writers. Originally, the character of Marker was going to be a tough, Lee Marvin figure, but casting Burke was an inspired move on the part of the producers. With his lined, seen-it-all face and his sensitive, laconic manner, Burke rooted the concept firmly in reality. Marker dealt with the dark, petty underbelly of the world, and was only ever a few pounds short of bankruptcy. It seemed only natural that one day he would be arrested (framed for handling stolen goods) and go to prison (ending the original ABC TV series). When he emerged some time later (Thames TV taking over production), Marker has quit Birmingham for seedy Brighton for a masterly 1969 series entirely penned by Roger Marshall. Here, Marker is dealing as much with the repercussions of his own lonely, solitary character as he is with the shadow of prison. Later (with the advent of colour TV), the character moved from there to the more upmarket locale of Windsor, where for a time he became partners with the sharp, ambitious alpha-male Ron Gash.
Marker always eschewed the term "detective" in his dealings with clients, preferring the term that real British private eyes use, "enquiry agent"; at a stroke, this narrative move cut Public Eye off from all other detective series and encouraged a more downbeat approach. In this, it followed its source: Anthony Marriott was a real-life enquiry agent whose techniques and experiences were the basis of the show. A movie made from the material might have been a British classic.
One other point: the haunting bluesy theme for some reason is rarely mentioned, was never released on record, and is not credited on IMDb.com. It is by veteran TV bandleader Bob Sharples (under the pseudonym Robert Earley).
22 of 22 people found this review helpful.
Was this review helpful to you?