A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his ... See full summary »
A series of six effective and concise chillers commissioned by ATV from producer Nicholas Palmer and writer Nigel Kneale - who had just left as a staff writer for the BBC - transmitted on ... See full summary »
A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his attempts to make a tenuous living on the outskirts of London. Fairly cheaply made on video, when the series went into colour in 1970, rather than re-making the evocative title sequence, the producers (Thames Television) merely put it through a sepia filter! Written by
The phone number for Frank's Clapham office is given as MACauley 2810. Helen Mortimer (and thus Frank)'s address in series 4 was 24 Sussex Close, Brighton (tel: 851957). Marker's Windsor premises were found at: 93 High Street, Eton, Windsor (tel: 68319 or 67818) - he lived at 3 Willow Court. The office he shared in the final series was: Ronald Gash & Associates, 22a Walton Shopping Precinct (tel: 21109). He then took over the former Apollo Aerials premises adjacent to Chertsey train station, tel: 2499, with digs in Westbury Street. See more »
The Golden Flower Chinese restaurant is visible through the window of Frank's Eton High Street office - but as seen in location work for editions such as "Come Into the Garden, Rose", the eaterie is actually found two doors down from Marker's premises. The Thames production team designed the studio backdrop like this as they felt what actually faced the office was visually uninteresting. See more »
These series in my opinion are British television at its very finest, centred around a marvellous sustained performance by Alfred Burke which stands comparison with anything to be seen anywhere in film, TV or theatre; and scripts of high intelligence, firmly grounded in the downbeat experiences of everyday English life, yet psychologically profound.
The support acting rises to the occasion too, in all the episodes I have seen - Pauline Delaney's performance in Series 4 for example.
By all accounts the show was widely popular when originally broadcast, and it is a mystery to this viewer why repeat broadcasts are so very seldom seen.
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