A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his ...
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Tales of Scotland Yard centering on a detective team. A sort of half-way house between Dixon of Dock Green and 'Z' Cars. The detectives are still 1950s style with good elecution and ... See full summary »
Ground-breaking British police drama series following the exploits of the Special Branch of the Metropolitan Police. An elite group of officers tasked with protecting London from spies, terrorists and subversives.
Ellis Cooper, wife Vivienne, grandmother and their three children are relocated from London to a rural town Angleton by his employer. Helping them adjust to country living are the Harkers whose father also works for Eden Brothers.
A long-running British TV series starring Alfred Burke as dour private-eye Frank Marker. Cynical and world-weary, Marker is frequently the unwitting stooge in bigger criminal wheels in his attempts to make a tenuous living on the outskirts of London. Fairly cheaply made on video, when the series went into colour in 1970, rather than re-making the evocative title sequence, the producers (Thames Television) merely put it through a sepia filter! Written by
First seen in "Well - There Was This Girl, You See...", the framed artwork given to Frank by Nell Holdsworth which decorates his offices thereafter, is an 1823 representation by John George Murray (after James Stephanoff), of 'The Trial of Queen Caroline', when the Pains and Penalties Bill 1820 was pushed through and passed in the House of Lords at the bequest of King George IV in an attempt to discredit his estranged wife. Its title is fully "View of the interior of the House of Lords, during the important investigation in 1820." See more »
At the start of the second season, Marker moves into new premises in Birmingham which overlook Kane's Timber Yard. Despite the busy sound effects added by the production team to convey the atmosphere of a hectic workplace, the view from his office window regularly depicts the same selection of long-untouched wooden planks, since the scene is a stationary backdrop. By the following series Kane's have been taken over and presumably demolished, as a view of tower blocks has replaced the yard. See more »
These series in my opinion are British television at its very finest, centred around a marvellous sustained performance by Alfred Burke which stands comparison with anything to be seen anywhere in film, TV or theatre; and scripts of high intelligence, firmly grounded in the downbeat experiences of everyday English life, yet psychologically profound.
The support acting rises to the occasion too, in all the episodes I have seen - Pauline Delaney's performance in Series 4 for example.
By all accounts the show was widely popular when originally broadcast, and it is a mystery to this viewer why repeat broadcasts are so very seldom seen.
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