A pair of intelligence agents posing as a tennis pro and his coach go on secret missions around the world.
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Episodes

Seasons


Years



3   2   1  
1968   1967   1966   1965  
Won 1 Golden Globe. Another 4 wins & 23 nominations. See more awards »
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Cast

Complete series cast summary:
...
 Kelly Robinson / ... (82 episodes, 1965-1968)
...
 Alexander Scott (82 episodes, 1965-1968)
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Storyline

A pair of American agents faces espionage adventures with skill, humor and some serious questions about their work. Robinson's cover is as a former Princeton law student and Davis Cup tennis player; Rhodes scholar Scott is his trainer as well as being a language expert. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Happy-go-lucky wanderers - or undercover agents for Washington? It's Robert Culp and Bill Cosby in NBC's exciting round-the-world action series. (season 2)


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Details

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Release Date:

15 September 1965 (USA)  »

Also Known As:

Danny Doyle  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

(82 episodes)

Sound Mix:

Color:

Aspect Ratio:

4:3
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Did You Know?

Trivia

Bill Cosby's character, Alexander Scott, was originally intended to be an older mentor to Robert Culp's trainee agent, Kelly Robinson. Executive producer Sheldon Leonard cast Cosby in the role after seeing one of his routines (Scott was originally intended to be a Caucasian). Due to this casting change, the writers thought an occasional reference to Cosby's race would be a necessity, given the tumult of the times. In an early episode, "Danny Was a Million Laughs", guest star Martin Landau's character makes a racial joke at Scott's expense. Culp and Cosby demanded that no more racial jokes be done, and none were for the run of the series. See more »

Quotes

Kelly Robinson: Okay, Boy Wonder, you wanna get the collapsible batpole out of the glove compartment?
See more »

Crazy Credits

During the opening credits sequence of many early episodes, scenes from that episode are shown underneath a closeup of Robert Culp's eyes. If you look closely, Culp's facial expressions (concerned, happy, etc.) almost always match the action happening on the screen. Later in the series, a standard set of action/romance/humor scenes was used. See more »

Connections

Referenced in Drugstore Cowboy (1989) See more »

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User Reviews

 
One of the best series ever on so many levels
3 December 2007 | by (United States) – See all my reviews

Robert Culp didn't "phone in" his performances. One throw-away shot had him discover a dead body just before a commercial break, and the expression on his face was genuinely intense.

The show was ground-breaking for showcasing black talent. Yes. And huzzah for that! But it was a cracking good show regardless of racial issues. Among the many reasons already mentioned, the heroes were vulnerable. They were not stronger, better-armed or backed up by SWAT teams ready to rappel from helicopters. They often got into situations where they elected to run ... yes, RUN! Like intelligent, realistic men when facing superior odds. They were beaten (temporarily) more than a few times, and sometimes were close to death. And they weren't the only heroes in the program, as secondary characters appearing only in that episode would step in and prove useful.

"I, Spy" turns out to be superior Cold War fodder in that it showed perhaps the most realistic (although certainly still unreal, being it was early television) depiction of the stalwart American intelligence operatives trying to keep a lid on a shifting world of mayhem, out on the edge, largely alone.

And the friends, with humor and intelligence, leveraged each other into a team more formidable than three independent agents could ever muster.

These fellows showed a healthy appreciation for good things and fine women, but when the chips were down they were quick to be Boy Scouts ... and made it look convincing and even "cool." It is childishly acceptable and common to make fun of the mores of those days, but having grown up on Norman Rockwell I can tell you that the concept of being a "good guy" was serious in those days, and many men behaved with a genuine courtesy and courage that seems unrealistic today.

Cosby deserved his Emmies ... but Culp really supplied better performance than almost anyone else in those years.

Looking for a new favorite? Something you haven't already memorized and become slightly tired of? Get these DVD's and make your acquaintance with two of the coolest, yet still "upright" heroes fictional America ever produced.


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