Sam's friend, Gordon Forbes, is threatening to jump from the ledge of his upper-storey hotel room, and the only person he wants to talk to is his estranged wife. Unfortunately, when Honey visits the ...
In television's first prime time series starring a female private eye, Honey West would take on any tough case. She could handle herself mingling with millionaires just as well as scaling a thirty foot wall. Along with colleague Sam Bolt, Honey West was sure to solve the case. Written by
Wayne Coleman <email@example.com>
The style of the detective agency's name changes from episode to episode. Sometimes it is "H. West & Company, Private Investigators" and other times it is "Honey West & Co., Private Investigators." In the novels on which the series is based, it was sometimes "H. West, Private Investigators" and other times "H. West, Private Investigations." The reason it was "H. West" in the novels and not "Honey West" was twofold: Honey did not want potential clients to know she was a woman before they met her, and the business, which she had inherited from her father, Hank West, had always been called "H. West." See more »
Is anyone aware that the man who worked on Special Effects for Honey West is the same man who did the Special Effects for the Star Trek series just a year later? The man's name was Jim Rugg. He was my Pops. He also worked on such shows as The Rifleman, Burkes Law, Broken Arrow, Mission Impossible, Cannon, Barnaby Jones and Hawaii Five-O. He worked on such movies as The Wizard of Oz, River of No Return, Bus Stop, The Day the Earth Stood Still, On the Riviera and Silent Running. Pops had a pyrotechnic license and he made a living blowing everything up from cars to boats to airplanes... you name it. He was most proud of the fact that in no show that he was in charge of did anyone ever get hurt. My Dad is gone now but he was the best in the business... just ask anyone who ever worked with him.
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