| Photos (See all 40 | slideshow) | Videos (see all 4) |
| Bob Crane | ... | Col. Robert E. Hogan (168 episodes, 1965-1971) | |
| Werner Klemperer | ... | Col. Wilhelm Klink (168 episodes, 1965-1971) | |
| John Banner | ... | Sgt. Hans Georg Schultz / ... (168 episodes, 1965-1971) | |
| Robert Clary | ... | Cpl. Louis LeBeau (167 episodes, 1965-1971) | |
| Richard Dawson | ... | Cpl. Peter Newkirk (166 episodes, 1965-1971) | |
| Larry Hovis | ... | Sgt. Andrew Carter / ... (165 episodes, 1965-1971) | |
| Ivan Dixon | ... | Sgt. James 'Kinch' Kinchloe / ... (141 episodes, 1965-1970) |
Series Directed by | |||
| Gene Reynolds | (34 episodes, 1965-1967) | ||
| Edward H. Feldman | (28 episodes, 1966-1971) | ||
| Bruce Bilson | (25 episodes, 1967-1971) | ||
| Marc Daniels | (19 episodes, 1968-1971) | ||
| Bob Sweeney | (17 episodes, 1966-1970) | ||
| Howard Morris | (14 episodes, 1965-1967) | ||
| Richard Kinon | (13 episodes, 1968-1970) | ||
| Jerry London | (10 episodes, 1969-1971) | ||
| Robert Butler | (5 episodes, 1965-1966) | ||
| John Rich | (2 episodes, 1968) | ||
| Irving J. Moore | (2 episodes, 1970-1971) | ||
Series Writing credits | ||
| Bernard Fein | (168 episodes, 1965-1971) | |
| Albert S. Ruddy | (168 episodes, 1965-1971) | |
| Laurence Marks | (68 episodes, 1965-1971) | |
| Richard Powell | (29 episodes, 1965-1971) | |
| Arthur Julian | (24 episodes, 1965-1971) | |
| Phil Sharp | (16 episodes, 1966-1971) | |
| Bill Davenport | (13 episodes, 1967-1971) | |
| R.S. Allen | (11 episodes, 1965-1971) | |
| Harvey Bullock | (11 episodes, 1965-1971) | |
| Art Baer | (4 episodes, 1966-1968) | |
| Ben Joelson | (4 episodes, 1966-1968) | |
| David Chandler | (3 episodes, 1965-1966) | |
| Jack H. Robinson | (3 episodes, 1965-1966) | |
Series Produced by | |||
| Edward H. Feldman | .... | executive producer / producer / ... (168 episodes, 1965-1971) | |
| William A. Calihan Jr. | .... | producer / associate producer (136 episodes, 1966-1971) | |
| Jerry London | .... | associate producer / assistant producer / ... (76 episodes, 1968-1971) | |
| Bernard Fein | .... | associate producer / producer (32 episodes, 1965-1966) | |
Series Original Music by | |||
| Jerry Fielding | (24 episodes, 1965-1966) | ||
| Fred Steiner | (20 episodes, 1965-1966) | ||
| Will Schaefer | (unknown episodes) | ||
Series Cinematography by | |||
| Gordon Avil | (141 episodes, 1965-1970) | ||
| William B. Jurgensen | (24 episodes, 1970-1971) | ||
| Robert C. Moreno | (2 episodes, 1968-1969) | ||
Series Film Editing by | |||
| Michael Kahn | (131 episodes, 1965-1971) | ||
| Ken Zemke | (17 episodes, 1969-1971) | ||
| Clay Bartels | (7 episodes, 1968-1969) | ||
| Jerry London | (6 episodes, 1965-1966) | ||
| Thomas Neff | (4 episodes, 1968-1969) | ||
| Beryl Gelfond | (4 episodes, 1969-1970) | ||
Series Casting by | |||
| Milt Hamerman | (32 episodes, 1965-1966) | ||
| Lynn Stalmaster | (32 episodes, 1965-1966) | ||
Series Art Direction by | |||
| Rolland M. Brooks | (117 episodes, 1965-1969) | ||
| Howard Hollander | (107 episodes, 1965-1971) | ||
| Eugene Harris | (60 episodes, 1966-1969) | ||
Series Set Decoration by | |||
| Edward M. Parker | (104 episodes, 1965-1969) | ||
| William Stevens | (50 episodes, 1969-1971) | ||
| Robert Priestley | (13 episodes, 1965-1966) | ||
Series Costume Design by | |||
| Marjorie Wahl | (165 episodes, 1965-1971) | ||
| Ray Harp | (134 episodes, 1965-1971) | ||
| Reeder P. Boss | (32 episodes, 1965-1966) | ||
Series Makeup Department | |||
| Armand Delmar | .... | makeup artist (132 episodes, 1966-1971) | |
Series Production Management | |||
| Houseley Stevenson Jr. | .... | post-production supervisor / production supervisor / ... (166 episodes, 1965-1971) | |
| William A. Calihan Jr. | .... | unit production manager / production supervisor / ... (160 episodes, 1965-1971) | |
Series Second Unit Director or Assistant Director | |||
| Floyd Joyer | .... | assistant director (142 episodes, 1965-1971) | |
| Carl 'Major' Roup | .... | assistant director (12 episodes, 1965-1966) | |
| Donald L. Gold | .... | assistant director (10 episodes, 1965-1966) | |
Series Sound Department | |||
| Wallace R. Bearden | .... | sound engineer / production sound mixer / ... (134 episodes, 1966-1971) | |
| Robert G. Henderson | .... | sound editor (72 episodes, 1967-1970) | |
| James J. Klinger | .... | sound editor / sound engineer (54 episodes, 1966-1971) | |
| Gordon L. Day | .... | sound re-recording mixer (50 episodes, 1969-1971) | |
| William M. Andrews | .... | supervising sound editor / sound editor (32 episodes, 1965-1966) | |
| S.G. Haughton | .... | sound / sound engineer (27 episodes, 1965-1966) | |
| Ross Taylor | .... | sound editor (8 episodes, 1968-1969) | |
| Leon M. Leon | .... | sound engineer (6 episodes, 1965-1966) | |
| Milton Lustig | .... | sound engineer (unknown episodes, 1969-1970) | |
Series Editorial Department | |||
| Jerry London | .... | editorial supervisor / supervising editor (113 episodes, 1965-1969) | |
Series Music Department | |||
| Jerry Fielding | .... | composer: theme music / composer: title music / ... (146 episodes, 1965-1971) | |
| Milton Lustig | .... | music editor / music supervisor (134 episodes, 1966-1971) | |
| Richard Berres | .... | music supervision / music editor (32 episodes, 1965-1966) | |
Series Other crew | |||
| John Pommer | .... | production executive (1 episode, 1965) | |
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The problem with Hogan's heroes is that it has lost its context. People criticize it as a comedy set in a German prisoner of War camp, saying that trivializes the real human tragedies created by the Nazi regime. The thing is, Hogan's Heroes is not a spoof of prison camps. It's a spoof of World War II movies and TV shows. It came out in the wake of films like `The Longest Day', `The Great Escape', etc. which produced shows like `Combat', `The Gallant Men', 12 O'Clock High', all of which were hyper serious because of the subject matter. Such a trend requires a leavening spoof. And `Hogan's Heroes' and `McHale's Navy' provided that comic relief. Nobody ever criticized McHale's Navy for trivializing the Pacific War, any more than they criticized `F Troop' for not being a documentary about the Old West or `Get Smart' for not being written by John LaCarre. Why do we indict Hogan's heroes for being insensitive to the deprivations of the Nazis?
This show is itself based on a hit Broadway play and movie from a decade before called `Stalag 17' which won William Holden an Oscar. If you've seen Stalag 17, the humor there is much cruder and more oblivious of the real threat of the Nazis than Hogan's Heroes. Robert Strauss and Harvey Lembeck, (later to show up in another Military spoof to which HH also obviously owes a lot), decide at one point they would like to see some female Russian POWS take showers. They grab a bucket of paint and begin painting a stripe down the middle of the road toward the building where the showers are. This fools the guards until the paint a stripe right over to the window of this building, (the showers have windows?), and peer in. There is nothing this crude or insensitive in any episode of Hogan's Heroes. Yet this is a highly regarded film.
But now, 30 years later, when there are fewer films about that era made, the old show is viewed not a spoof of a show business trend but as a parody of the real event, which it was never really intended to be. This has allowed the critics to `pile on' and rip the show for being insensitive to the victims of Nazi oppression. All I remember is a funny show and that's all it was ever intended to be.