Oliver's tax refund check motivates the farmers of Hooterville to request their refunds, too. Not understanding that you have to actually pay taxes first, they write in and state their losses for the...
Fred Ziffel objects to Arnold's love affair with shifty Mr. Haney's basset hound Cynthia. Realizing that their relationship can never work, Arnold breaks off their relationship. When Cynthia performs...
Mister Ed is a horse who is owned by Wilbur Post. Mister Ed is not just any horse, he talks to Wilbur! But this gets Wilbur in all kinds of trouble because Mister Ed won't talk to anyone ... See full summary »
Widower Steve Douglas raises three sons with the help of his father-in-law, and is later aided by the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.
Widower Sheriff Andy and his son Opie live with Andy's Aunt Bee in Mayberry NC. With virtually no crimes to solve, most of Andy's time is spent philosophizing and calming down his cousin Deputy Barney.
Cathy Lane, teen-aged daughter of a globe-trotting journalist, comes to live at the home of her uncle, a newspaper editor in New York City. Curiously, Cathy is the spitting image of her ... See full summary »
Manhattan lawyer Douglas drags his protesting socialite wife and her finery to the rural backwash of a rundown farm outside Hooterville. They attempt to get the farm fixed up. Farmer Fred Ziffel's pig Arnold watches TV and is in many ways smarter than the Hootervillians. Written by
Ed Stephan <email@example.com>
Eddie Albert revealed in a January 1966 "TV Guide" article that as part of his deal he was given a 10 percent interest in Green Acres. He also mentions that he was offered the part after Don Ameche turned it down, and that actresses Marsha Hunt and Janet Blair had screen-tested with him before Paul Henning had the idea to cast Eva Gabor (over CBS's objections that no one would understand her because of her accent). See more »
In the opening song when Oliver sings "You are my wife," he reaches for Lisa with his left hand. As Lisa sings "Goodbye city life," Oliver reaches in and grabs her with his right hand. See more »
Eustace Charleton Haney:
[after learning Oliver and Lisa are going to be out of town for a few days]
While yer away on yer trip, I thought you might like to avail yerself of Haney's Farm Mindin' Service.
Oliver Wendell Douglass:
HANEY'S FARM MINDING SERVICE?
Eustace Charleton Haney:
Yessir, at Haney's Farm Mindin' Service, for a nom-yew-nal fee we will move into yer house, eat yer food, drink yer likker, and turn away any unwanted relatives that might show up at yer door.
See more »
After the closing credits, the Filmways logo appears, and Eva Gabor's voice is heard (in Lisa Douglas's posh Park Avenue style) saying, "This has been a Filmways presentation, Darling." See more »
Many in my generation (too young to be a boomer and too old to be an "X"er) think this is one of the funniest shows ever. It doesn't have any deeper meanings or ramifications or redeeming social importance. It's funny, and for the sake of being funny. This show proves that humor rises from character. Too often a show gets by on a series of insults, or double entendres, or one-liners. "Green Acres" had characters who were rich and diverse, who might be funny by what they say, or by the fact that they're saying it, or just because they show up at a certain moment. "Hooterville" could, I suppose, be construed as a Kafkaesque construct where even the woman who doesn't want to live there understands what's going on there, and only the man who wants to live there can't comprehend what's going on, or understand what the pig is saying. But why bother with such interpretation? This show is funny, well-written, and performed by fine actors. Shot on a sound-stage, "Green Acres" nevertheless opens out where most shows seem claustrophobic -- there are fields, roads, houses, barns, cows, jeeps, tractors, and all the great outdoors. I'm a country boy myself, and I appreciate that, unlike most shows written by high-handed cityfolk that show country folk as either ignorant bumpkins whose foolishness is the basis of laughs, or makes them more sagely inscrutable than smugly-superior urbanites, "Green Acres" gives the people of Hooterville thier own mindset that is neither better nor worse, just different. And the show itself is different from anything else on television until the arrival of "Newhart" which, for all its humor, nevertheless remained stagey and claustrophobic. "Green Acres" is funny. Enjoy it.
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